VARIOUS BAND

Détail des pistes :

SCHUBERT Franz
An Introduction to...SCHUBERT: Piano Quintet "Trout"
1 - 1     Introduction, origins (1mn 39s )    
1 - 2     Imagery, analogy and the shape of the things to come; the opening flourish (1mn 50s )    
1 - 3     The unusual presence of the double-bass (54s )    
1 - 4     A palette of tone colours and the emergence of a theme (47s )    
1 - 5     Trouble getting off the ground, but the key is not in doubt. (49s )    
1 - 6     Jumping the queue: Schubert takes a lesson from Mozart. (1mn 33s )    
1 - 7     Mozart demonstrates a traditional transition. (33s )    
1 - 8     Destination clarified (07s )    
1 - 9     Mozart confirms our arrival. (08s )    
1 - 10     A Schubertian shocker from a later work (52s )    
1 - 11     Rejoining the Trout , with a reminder (27s )    
1 - 12     The piano joins the strings with yet a third variant of the theme. (31s )    
1 - 13     A rhythmic motto: the triplet motif (1mn 26s )    
1 - 14     We get it here. (17s )    
1 - 15     We get it there. (17s )    
1 - 16     We find it everywhere, even in the double-bass. (27s )    
1 - 17     The strings answer to the piano s opening flourish (36s )    
1 - 18     The two-part structure of the answering motif ... (24s )    
1 - 19     ...but scarcely ever the same way twice (34s )    
1 - 20     The piano and strings now share the material for the first time. (42s )    
1 - 21     Conversation as the first principle of chamber music (43s )    
1 - 22     Opening (introductory) section heard complete (1mn 01s )    
1 - 23     The violin and double-bass in partnership (1mn 16s )    
1 - 24     The violin and piano swap roles. (59s )    
1 - 25     Transition to second main theme; triplets now everywhere (1mn 12s )    
1 - 26     On the threshold of the new theme (30s )    
1 - 27     Second main theme (a love duet ), shared by cello and viola (1mn 24s )    
1 - 28     The abandonment of octaves in the piano changes the tone colour. (1mn 07s )    
1 - 29     A surprising change of tone and a premonition (39s )    
1 - 30     A return to lyricism, but the cello jumps the gun (37s )    
1 - 31     A buoyant, skipping new theme is given to the solo piano. (36s )    
1 - 32     Re-entry of the strings as the violin takes up the new theme (25s )    
1 - 33     A transitional theme, and another Schubertian key-jump (1mn 33s )    
1 - 34     We sense the imminent arrival of the closing theme. (1mn 31s )    
1 - 35     A sudden, hushed key-change introduces part two of the closing theme. (40s )    
1 - 36     The exposition comes to an end. (32s )    
1 - 37     Cue to complete exposition (06s )    
1 - 38     Music: exposition complete (4mn 09s )    
1 - 39     Introduction to the development; the genetic code of key (7mn 20s )    
1 - 40     The contrasting aural properties of piano and violin (1mn 03s )    
1 - 41     The ponderous double-bass is featured in the first main theme (49s )    
1 - 42     The strings are liberated from servitude, but are a long way from home. (42s )    
1 - 43     A joyful conversation and a change of pace in the piano (1mn 06s )    
1 - 44     The piano takes the melodic lead again. (31s )    
1 - 45     A conversation between violin and piano leads to the exposition... (1mn 20s )    
1 - 46     ...but Schubert gets it wrong . (1mn 35s )    
1 - 47     Music: first movement (complete) (9mn 09s )    
1 - 48     Introduction to second movement (1mn 53s )    
1 - 49     The violin now takes theme one. (29s )    
1 - 50     The piano regains the theme. (42s )    
1 - 51     The violin and piano round off first section with the new closing theme. (35s )    
1 - 52     A major change of tone: a passing cloud and a dark new key (1mn 19s )    
1 - 53     The piano abandons its octaves, but not its triplets, in the new Hungarian theme. (1mn 28s )    
1 - 54     The sun returns with a new theme, in two contrasting parts. (1mn 21s )    
1 - 55     An evaporating dialogue between violin and piano (58s )    
1 - 56     A major mood change as twilight falls (1mn 12s )    
1 - 57     Cue to whole movement (33s )    
1 - 58     Music: second movement (complete) (7mn 30s )    
2 - 1     Introduction to the Scherzo - and a clear four-bar phrase... (1mn 37s )    
2 - 2     ... answered by two two-bar phrases (21s )    
2 - 3     A disconcerting echo (1mn 02s )    
2 - 4     Expectation, frustration and surprise (27s )    
2 - 5     The phrase length exands from nine to fourteen bars (36s )    
2 - 6     The beginning of the second half... (1mn 07s )    
2 - 7     ...or should it go from G minor to D major? (08s )    
2 - 8     Doubts are sown as the tonality becomes elusive. (48s )    
2 - 9     A varied reprise of part one, and the end of the Scherzo proper (33s )    
2 - 10     A conversational start to the Trio section (40s )    
2 - 11     Another Schubertian phrase extension (25s )    
2 - 12     Two overlapping phrases add up to a single theme. (22s )    
2 - 13     The piano adds a third phrase to the overlap. (32s )    
2 - 14     The overlaps continue as the key drifts downwads (36s )    
2 - 15     Another Schubertian key-jump, now to B flat (45s )    
2 - 16     A dramatic transformation of mood (52s )    
2 - 17     Awakening from a dream: the main theme s return (51s )    
2 - 18     Cue to complete Scherzo (11s )    
2 - 19     Music: third movement (complete) (3mn 52s )    
2 - 20     Enter the trout, at last; a meeting with the original (30s )    
2 - 21     Music: Die Forelle (1mn 59s )    
2 - 22     Back to the Quintet: the strings, headed by the violin, introduce the theme. (1mn 24s )    
2 - 23     The first variation (1mn 41s )    
2 - 24     The second variation (1mn 14s )    
2 - 25     The third variation (1mn 20s )    
2 - 26     The fourth variation, part one (1mn 33s )    
2 - 27     The fourth variation, part two (57s )    
2 - 28     The fifth variation (2mn 45s )    
2 - 29     The final variation, part one: violin and piano alone introduce the theme (31s )    
2 - 30     The final variation, part two: the cello takes the tune. (25s )    
2 - 31     The final variation, part three: piano and violin return as a duo... (25s )    
2 - 32     The final variation, part four: ...as do the viola and cello. (17s )    
2 - 33     The final variation, part five: the entire ensemble is reunited. (39s )    
2 - 34     Music: fourth movement (complete) (7mn 09s )    
2 - 35     Introduction to the finale: Schubert as wizard of repetition (2mn 17s )    
2 - 36     Easily overlooked: the accompaniment from cello and double-bass (36s )    
2 - 37     Contrasts of timbre and register (59s )    
2 - 38     A repetition, and yet not a repetition (07s )    
2 - 39     A journey begun; the phenomenon of musical gravity (22s )    
2 - 40     The journey completed (16s )    
2 - 41     The source of musical gravity (22s )    
2 - 42     Music: saint-saens - The Carnival of the Animals The Pianists (28s )    
2 - 43     A scale of shifting tensions (49s )    
2 - 44     Music: Beethoven, Symphony No. 1 (Finale) (37s )    
2 - 45     Back to Schubert (39s )    
2 - 46     The piano embellishes a scalewise descent. (18s )    
2 - 47     A retrospective moment (33s )    
2 - 48     Repetition more apparent then real (1mn 02s )    
2 - 49     A taste of phrase rhythm (1mn 26s )    
2 - 50     Shifting patterns of accentuation (27s )    
2 - 51     The section reviewed (15s )    
2 - 52     An increasingly sophisticated texture as parts interact (46s )    
2 - 53     More phrase rhythm (29s )    
2 - 54     A repetition from the strings... (11s )    
2 - 55     ...and an answer from the piano (13s )    
2 - 56     In transition to the secondary key (51s )    
2 - 57     The origin of the second theme (19s )    
2 - 58     The second main theme (38s )    
2 - 59     The closing section begins, with a question answered. (42s )    
2 - 60     The question repeated, a slightly differnet answer (28s )    
2 - 61     First theme of closing section reviewed (59s )    
2 - 62     Remembrance of things past (28s )    
2 - 63     The piano and strings argue over the harmony. (1mn 13s )    
2 - 64     Emergence of the final theme (24s )    
2 - 65     An unexpected thunderstorm (51s )    
2 - 66     The sound of silence (1mn 29s )    
2 - 67     Cue to complete Finale (1mn )    
2 - 68     Music: Finale (Complete) (6mn 47s )    

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