Les Instruments de l'orchestre

Détail des pistes :

SIEPMANN Jeremy
Instruments of the Orchestra
1 - 1     Wagner: Tannhauser: Overture (2mn 06s )    

VARIOUS ARTISTS
1 - 1     Wagner: Tannhauser: Overture (28s )    

SIEPMANN Jeremy
1 - 2     Anonymous: Domna, pos vos ay chausida (1mn 19s )    

VARIOUS ARTISTS
1 - 2     Anonymous: Domna, pos vos ay chausida (1mn 39s )    

SIEPMANN Jeremy
1 - 3     We don t merely use instruments, we play on them. And they play on us. (45s )    

VARIOUS ARTISTS
1 - 3     We don t merely use instruments, we play on them. And they play on us. (1mn 08s )    

SIEPMANN Jeremy
1 - 4     Brahms: Hungarian Dance No. 7 (17s )    

VARIOUS ARTISTS
1 - 4     Brahms: Hungarian Dance No. 7 (45s )    

SIEPMANN Jeremy
1 - 5     The violin is one of the most tender and beautiful instruments ever invented. (43s )    

VARIOUS ARTISTS
1 - 5     The violin is one of the most tender and beautiful instruments ever invented. (3mn 33s )    

SIEPMANN Jeremy
1 - 6     Brahms: Violin Concerto in D major: II. Adagio (23s )    

VARIOUS ARTISTS
1 - 6     Brahms: Violin Concerto in D major: II. Adagio (35s )    

SIEPMANN Jeremy
1 - 7     But for a long time it was seen as the instrument of the devil. (09s )    

VARIOUS ARTISTS
1 - 7     But for a long time it was seen as the instrument of the devil. (41s )    

SIEPMANN Jeremy
1 - 8     Stravinsky: The Soldier s Tale: Triumphal March of the Devil (18s )    

VARIOUS ARTISTS
1 - 8     Stravinsky: The Soldier s Tale: Triumphal March of the Devil (1mn 55s )    

SIEPMANN Jeremy
1 - 9     The manipulative seductiveness of the gypsy violin (15s )    

VARIOUS ARTISTS
1 - 9     The manipulative seductiveness of the gypsy violin (51s )    

SIEPMANN Jeremy
1 - 10     Anonymous: Csardas Music (15s )    

VARIOUS ARTISTS
1 - 10     Anonymous: Csardas Music (48s )    

SIEPMANN Jeremy
1 - 11     The violin and the imitation of nature (1mn 57s )    

VARIOUS ARTISTS
1 - 11     The violin and the imitation of nature (1mn 06s )    

SIEPMANN Jeremy
1 - 12     Vivaldi: The Four Seasons: Spring: I. Allegro (22s )    

VARIOUS ARTISTS
1 - 12     Vivaldi: The Four Seasons: Spring: I. Allegro (46s )    

SIEPMANN Jeremy
1 - 13     Birds are again evoked in the second concerto, especially music s natural favourite. (14s )    

VARIOUS ARTISTS
1 - 13     Birds are again evoked in the second concerto, especially music s natural favourite. (57s )    

SIEPMANN Jeremy
1 - 14     Vivaldi: The Four Seasons: Summer: I. Allegro non molto (31s )    

VARIOUS ARTISTS
1 - 14     Vivaldi: The Four Seasons: Summer: I. Allegro non molto (1mn 41s )    

SIEPMANN Jeremy
1 - 15     Like the devil, the violin is a master of disguise. (30s )    

VARIOUS ARTISTS
1 - 15     Like the devil, the violin is a master of disguise. (1mn 26s )    

SIEPMANN Jeremy
1 - 16     Kreisler: Schon Rosmarin (38s )    

VARIOUS ARTISTS
1 - 16     Kreisler: Schon Rosmarin (2mn 29s )    

SIEPMANN Jeremy
1 - 17     The menacing sensuality of Ravel s Tzigane; a very different side of the violin: (26s )    

VARIOUS ARTISTS
1 - 17     The menacing sensuality of Ravel s Tzigane; a very different side of the violin: (2mn 02s )    

SIEPMANN Jeremy
1 - 18     Ravel: Tzigane (3mn 09s )    

VARIOUS ARTISTS
1 - 18     Ravel: Tzigane (1mn 27s )    

SIEPMANN Jeremy
1 - 19     Do we now have the true measure of this instrument? Not just yet. (2mn 09s )    

VARIOUS ARTISTS
1 - 19     Do we now have the true measure of this instrument? Not just yet. (3mn 51s )    

SIEPMANN Jeremy
1 - 20     Paganini: Caprice No. 24 (14s )    

VARIOUS ARTISTS
1 - 20     Paganini: Caprice No. 24 (37s )    

SIEPMANN Jeremy
1 - 21     Bach: Brandenburg Concerto No. 4: III. Presto / Schubert: Quartettsatz in C minor (30s )    

VARIOUS ARTISTS
1 - 21     Bach: Brandenburg Concerto No. 4: III. Presto / Schubert: Quartettsatz in C minor (49s )    

SIEPMANN Jeremy
1 - 22     Britten: Variations on a Theme of Frank Bridge: VIII. Moto Perpetuo (20s )    

VARIOUS ARTISTS
1 - 22     Britten: Variations on a Theme of Frank Bridge: VIII. Moto Perpetuo (44s )    

SIEPMANN Jeremy
1 - 23     Prokofiev s tremolo in Romeo and Juliet should not be heard just before bedtime (12s )    

VARIOUS ARTISTS
1 - 23     Prokofiev s tremolo in Romeo and Juliet should not be heard just before bedtime (52s )    

SIEPMANN Jeremy
1 - 24     Prokofiev: Romeo and Juliet: Act IV (10s )    

VARIOUS ARTISTS
1 - 24     Prokofiev: Romeo and Juliet: Act IV (40s )    

SIEPMANN Jeremy
1 - 25     Vivaldi uses it to illustrate the shivering of travellers crossing the ice. (17s )    

VARIOUS ARTISTS
1 - 25     Vivaldi uses it to illustrate the shivering of travellers crossing the ice. (6mn 43s )    

SIEPMANN Jeremy
1 - 26     Vivaldi: The Four Seasons: Winter: I. Allegro non molto (42s )    

VARIOUS ARTISTS
1 - 26     Vivaldi: The Four Seasons: Winter: I. Allegro non molto (34s )    

SIEPMANN Jeremy
1 - 27     The violin muted (29s )    

VARIOUS ARTISTS
1 - 27     The violin muted (1mn 33s )    

SIEPMANN Jeremy
1 - 28     Debussy: Clair de lune (11s )    

VARIOUS ARTISTS
1 - 28     Debussy: Clair de lune (33s )    

SIEPMANN Jeremy
1 - 29     The gentleness of muted strings persists even when a whole orchestra plays. (29s )    

VARIOUS ARTISTS
1 - 29     The gentleness of muted strings persists even when a whole orchestra plays. (36s )    

SIEPMANN Jeremy
1 - 30     Mozart: Piano Concerto No. 21 in C major, K. 467: II. Andante (46s )    

VARIOUS ARTISTS
1 - 30     Mozart: Piano Concerto No. 21 in C major, K. 467: II. Andante (32s )    

SIEPMANN Jeremy
1 - 31     The pizzicato violin (55s )    

VARIOUS ARTISTS
1 - 31     The pizzicato violin (14s )    

SIEPMANN Jeremy
1 - 32     Strauss: Pizzicato Polka (1mn 10s )    

VARIOUS ARTISTS
1 - 32     Strauss: Pizzicato Polka (11s )    

SIEPMANN Jeremy
1 - 33     In Prokofiev s Second Violin Concerto, the accompaniment is pizzicato. (1mn 08s )    

VARIOUS ARTISTS
1 - 33     In Prokofiev s Second Violin Concerto, the accompaniment is pizzicato. (12s )    

SIEPMANN Jeremy
1 - 34     Prokofiev: Violin Concerto No. 2 in G minor: II. Andante assai (1mn 29s )    

VARIOUS ARTISTS
1 - 34     Prokofiev: Violin Concerto No. 2 in G minor: II. Andante assai (42s )    

SIEPMANN Jeremy
1 - 35     Kabalevsky: Colas Breugnon / Warlock: Capriol Suite: III. Tordion / Prokofiev: Romeo and Juliet: Act (2mn 46s )    

VARIOUS ARTISTS
1 - 35     Kabalevsky: Colas Breugnon / Warlock: Capriol Suite: III. Tordion / Prokofiev: Romeo and Juliet: Act (14s )    

SIEPMANN Jeremy
1 - 36     Holst: The Planets: I. Mars: The Bringer of War (1mn 15s )    

VARIOUS ARTISTS
1 - 36     Holst: The Planets: I. Mars: The Bringer of War (39s )    

SIEPMANN Jeremy
1 - 37     Bach: Sonata No. 3 in C major for unaccompanied violin: II. Fugue (1mn )    

VARIOUS ARTISTS
1 - 37     Bach: Sonata No. 3 in C major for unaccompanied violin: II. Fugue (1mn 03s )    

SIEPMANN Jeremy
1 - 38     Brahms: Hungarian Dance No. 4 (2mn )    

VARIOUS ARTISTS
1 - 38     Brahms: Hungarian Dance No. 4 (34s )    

SIEPMANN Jeremy
1 - 39     Double-stopping is a standard feature of a lot of folk music. (3mn )    

VARIOUS ARTISTS
1 - 39     Double-stopping is a standard feature of a lot of folk music. (40s )    

SIEPMANN Jeremy
1 - 40     Vivaldi: The Four Seasons: Autumn: I. Allegro (1mn 13s )    

VARIOUS ARTISTS
1 - 40     Vivaldi: The Four Seasons: Autumn: I. Allegro (1mn 05s )    

SIEPMANN Jeremy
1 - 41     Now the same technique, but the sound might have come from another world. (5mn 18s )    

VARIOUS ARTISTS
1 - 41     Now the same technique, but the sound might have come from another world. (28s )    

SIEPMANN Jeremy
1 - 42     Ravel: Bolero (2mn 30s )    

VARIOUS ARTISTS
1 - 42     Ravel: Bolero (19s )    

SIEPMANN Jeremy
1 - 43     Double-stopping can only approximate the sound of a real violin duet. (1mn 04s )    

VARIOUS ARTISTS
1 - 43     Double-stopping can only approximate the sound of a real violin duet. (27s )    

SIEPMANN Jeremy
1 - 44     Joachim: Cadenza to the Violin Concerto by Brahms (3mn 03s )    

VARIOUS ARTISTS
1 - 44     Joachim: Cadenza to the Violin Concerto by Brahms (14s )    

SIEPMANN Jeremy
1 - 45     Now compare that with a real violin duet. (46s )    

VARIOUS ARTISTS
1 - 45     Now compare that with a real violin duet. (33s )    

SIEPMANN Jeremy
1 - 46     Bartok: 44 Duos: I. Teasing Song (2mn 55s )    

VARIOUS ARTISTS
1 - 46     Bartok: 44 Duos: I. Teasing Song (10s )    

SIEPMANN Jeremy
1 - 47     Another duo by Bartok, demonstrating the violin s rich lower register (2mn 54s )    

VARIOUS ARTISTS
1 - 47     Another duo by Bartok, demonstrating the violin s rich lower register (15s )    

SIEPMANN Jeremy
1 - 48     Bartok: 44 Duos: II. Maypole Dance (2mn 48s )    

VARIOUS ARTISTS
1 - 48     Bartok: 44 Duos: II. Maypole Dance (31s )    

SIEPMANN Jeremy
1 - 49     And now what may be the most beautiful accompanied violin duet in history (1mn 08s )    

VARIOUS ARTISTS
1 - 49     And now what may be the most beautiful accompanied violin duet in history (21s )    

SIEPMANN Jeremy
1 - 50     Bach: Concerto in D minor for two violins: II. Largo ma non tanto (1mn 32s )    

VARIOUS ARTISTS
1 - 50     Bach: Concerto in D minor for two violins: II. Largo ma non tanto (54s )    

SIEPMANN Jeremy
1 - 51     The soul of the violin is in song; but what about this weird passage? (54s )    

VARIOUS ARTISTS
1 - 51     The soul of the violin is in song; but what about this weird passage? (43s )    

SIEPMANN Jeremy
1 - 52     Prokofiev: Violin Concerto No. 1 in D major: II. Scherzo (1mn 32s )    

VARIOUS ARTISTS
1 - 52     Prokofiev: Violin Concerto No. 1 in D major: II. Scherzo (10s )    

SIEPMANN Jeremy
1 - 53     The use of harmonics in the orchestra can be both magical and unsettling. (2mn 37s )    

VARIOUS ARTISTS
1 - 53     The use of harmonics in the orchestra can be both magical and unsettling. (47s )    

SIEPMANN Jeremy
1 - 54     Mahler: Symphony No. 1, "Titan": I. Langsam, schleppend (opening) (4mn 42s )    

VARIOUS ARTISTS
1 - 54     Mahler: Symphony No. 1, "Titan": I. Langsam, schleppend (opening) (1mn 33s )    

SIEPMANN Jeremy
1 - 55     Tchaikovsky s use of harmonics in The Sleeping Beauty is both strange and daring. (2mn 25s )    

VARIOUS ARTISTS
1 - 55     Tchaikovsky s use of harmonics in The Sleeping Beauty is both strange and daring. (1mn 20s )    

SIEPMANN Jeremy
1 - 56     Tchaikovsky: The Sleeping Beauty: Act II, No. 15: Entr acte (20s )    

VARIOUS ARTISTS
1 - 56     Tchaikovsky: The Sleeping Beauty: Act II, No. 15: Entr acte (3mn 19s )    

SIEPMANN Jeremy
1 - 57     Ravel s harmonics in Mother Goose effect a magical transformation. (21s )    

VARIOUS ARTISTS
1 - 57     Ravel s harmonics in Mother Goose effect a magical transformation. (1mn 18s )    

SIEPMANN Jeremy
1 - 58     Ravel: Ma Mere l oye (Mother Goose): IV. Beauty and the Beast (24s )    

VARIOUS ARTISTS
1 - 58     Ravel: Ma Mere l oye (Mother Goose): IV. Beauty and the Beast (55s )    

SIEPMANN Jeremy
1 - 59     Stravinsky: The Firebird: Introduction (29s )    

VARIOUS ARTISTS
1 - 59     Stravinsky: The Firebird: Introduction (1mn 12s )    

SIEPMANN Jeremy
1 - 60     The natural upper notes of the violins have a unique emotional "grab" (19s )    

VARIOUS ARTISTS
1 - 60     The natural upper notes of the violins have a unique emotional "grab" (47s )    

SIEPMANN Jeremy
1 - 61     Strauss: Also sprach Zarathustra: Of the Afterworldsmen (09s )    

VARIOUS ARTISTS
1 - 61     Strauss: Also sprach Zarathustra: Of the Afterworldsmen (54s )    

SIEPMANN Jeremy
1 - 62     Still in their upper register, the violins unleash the energy of a young colt. (19s )    

VARIOUS ARTISTS
1 - 62     Still in their upper register, the violins unleash the energy of a young colt. (31s )    

SIEPMANN Jeremy
1 - 63     Britten: Variations on a Theme of Frank Bridge: V. Aria Italiana (28s )    

VARIOUS ARTISTS
1 - 63     Britten: Variations on a Theme of Frank Bridge: V. Aria Italiana (44s )    

SIEPMANN Jeremy
1 - 64     Elsewhere, Britten uses the same high register to create a very different mood. (40s )    

VARIOUS ARTISTS
1 - 64     Elsewhere, Britten uses the same high register to create a very different mood. (2mn 12s )    

SIEPMANN Jeremy
1 - 65     Britten: Peter Grimes: 4 Sea Interludes, Op. 33a: I. Dawn (23s )    

VARIOUS ARTISTS
1 - 65     Britten: Peter Grimes: 4 Sea Interludes, Op. 33a: I. Dawn (1mn 09s )    

SIEPMANN Jeremy
1 - 66     To end this outing with the violins, a charming little elfin dance (35s )    

VARIOUS ARTISTS
1 - 66     To end this outing with the violins, a charming little elfin dance (3mn 34s )    

SIEPMANN Jeremy
1 - 67     Hellmesberger: Elfenreigen (41s )    

VARIOUS ARTISTS
1 - 67     Hellmesberger: Elfenreigen (1mn 24s )    

SIEPMANN Jeremy
2 - 1     Introduction to the viola (11s )    

VARIOUS ARTISTS
2 - 1     Introduction to the viola (1mn 49s )    

SIEPMANN Jeremy
2 - 2     Telemann: Viola Concerto: I. Largo (17s )    

VARIOUS ARTISTS
2 - 2     Telemann: Viola Concerto: I. Largo (1mn 43s )    

SIEPMANN Jeremy
2 - 3     Khachaturian gets a very different sound from it: fuller, fruitier, more exotic. (22s )    

VARIOUS ARTISTS
2 - 3     Khachaturian gets a very different sound from it: fuller, fruitier, more exotic. (50s )    

SIEPMANN Jeremy
2 - 4     Khachaturian: Gayane Suite No. 1: III. Armen s Solo (37s )    

VARIOUS ARTISTS
2 - 4     Khachaturian: Gayane Suite No. 1: III. Armen s Solo (1mn 38s )    

SIEPMANN Jeremy
2 - 5     Very nearly the whole of the violin s upper register is also available to the viola. (18s )    

VARIOUS ARTISTS
2 - 5     Very nearly the whole of the violin s upper register is also available to the viola. (54s )    

SIEPMANN Jeremy
2 - 6     Britten: Peter Grimes: Passacaglia, Op. 33b (1mn 44s )    

VARIOUS ARTISTS
2 - 6     Britten: Peter Grimes: Passacaglia, Op. 33b (14s )    

SIEPMANN Jeremy
2 - 7     Strauss: Don Quixote (1mn 17s )    

VARIOUS ARTISTS
2 - 7     Strauss: Don Quixote (05s )    

SIEPMANN Jeremy
2 - 8     Berlioz: Harold in Italy: IV. Orgy of Brigands (45s )    

VARIOUS ARTISTS
2 - 8     Berlioz: Harold in Italy: IV. Orgy of Brigands (19s )    

SIEPMANN Jeremy
2 - 9     The muted viola: intimate, gentle, poignant in Dvorak (2mn 48s )    

VARIOUS ARTISTS
2 - 9     The muted viola: intimate, gentle, poignant in Dvorak (16s )    

SIEPMANN Jeremy
2 - 10     Dvorak: Cypresses: IX. Thou Only Dear One (2mn 47s )    

VARIOUS ARTISTS
2 - 10     Dvorak: Cypresses: IX. Thou Only Dear One (1mn 06s )    

SIEPMANN Jeremy
2 - 11     The massed violas of the modern symphony orchestra in Mahler (1mn 03s )    

VARIOUS ARTISTS
2 - 11     The massed violas of the modern symphony orchestra in Mahler (09s )    

SIEPMANN Jeremy
2 - 12     Mahler: Symphony No. 4: III. Ruhevoll, poco adagio (1mn 17s )    

VARIOUS ARTISTS
2 - 12     Mahler: Symphony No. 4: III. Ruhevoll, poco adagio (12s )    

SIEPMANN Jeremy
2 - 13     The "period" viola in Bach (53s )    

VARIOUS ARTISTS
2 - 13     The "period" viola in Bach (16s )    

SIEPMANN Jeremy
2 - 14     Bach: Brandenburg Concerto No. 6: III. Allegro (55s )    

VARIOUS ARTISTS
2 - 14     Bach: Brandenburg Concerto No. 6: III. Allegro (11s )    

SIEPMANN Jeremy
2 - 15     The cello: a voice of unique nobility (22s )    

VARIOUS ARTISTS
2 - 15     The cello: a voice of unique nobility (25s )    

SIEPMANN Jeremy
2 - 16     Bach: Suite No. 1 for unaccompanied cello: I. Prelude (46s )    

VARIOUS ARTISTS
2 - 16     Bach: Suite No. 1 for unaccompanied cello: I. Prelude (20s )    

SIEPMANN Jeremy
2 - 17     Brahms and the "soul" of the cello (1mn 19s )    

VARIOUS ARTISTS
2 - 17     Brahms and the "soul" of the cello (56s )    

SIEPMANN Jeremy
2 - 18     Brahms: Piano Concerto No. 2 in B flat major: III. Andante (16s )    

VARIOUS ARTISTS
2 - 18     Brahms: Piano Concerto No. 2 in B flat major: III. Andante (59s )    

SIEPMANN Jeremy
2 - 19     Most orchestral composers tend to emphasise the cello s lower register. (15s )    

VARIOUS ARTISTS
2 - 19     Most orchestral composers tend to emphasise the cello s lower register. (1mn 03s )    

SIEPMANN Jeremy
2 - 20     Bach: Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu (15s )    

VARIOUS ARTISTS
2 - 20     Bach: Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu (58s )    

SIEPMANN Jeremy
2 - 21     In the time of Beethoven the cello remained as fundamental as ever. (21s )    

VARIOUS ARTISTS
2 - 21     In the time of Beethoven the cello remained as fundamental as ever. (1mn 01s )    

SIEPMANN Jeremy
2 - 22     Beethoven: Symphony No. 3 "Eroica": IV. Finale (14s )    

VARIOUS ARTISTS
2 - 22     Beethoven: Symphony No. 3 "Eroica": IV. Finale (2mn 02s )    

SIEPMANN Jeremy
2 - 23     But the cello is not condemned to spend its life in the basement. (28s )    

VARIOUS ARTISTS
2 - 23     But the cello is not condemned to spend its life in the basement. (1mn 30s )    

SIEPMANN Jeremy
2 - 24     Popper: Elfentanz, Op. 39 (25s )    

VARIOUS ARTISTS
2 - 24     Popper: Elfentanz, Op. 39 (1mn 42s )    

SIEPMANN Jeremy
2 - 25     Not only in recital showpieces like that is the cello used in its highest register. (12s )    

VARIOUS ARTISTS
2 - 25     Not only in recital showpieces like that is the cello used in its highest register. (1mn 32s )    

SIEPMANN Jeremy
2 - 26     Tavener: The Protecting Veil: opening (16s )    

VARIOUS ARTISTS
2 - 26     Tavener: The Protecting Veil: opening (3mn 55s )    

SIEPMANN Jeremy
2 - 27     A cello with an identity-crisis: the pizzicato Flamencan (1mn 02s )    

VARIOUS ARTISTS
2 - 27     A cello with an identity-crisis: the pizzicato Flamencan (2mn 37s )    

SIEPMANN Jeremy
2 - 28     Tagell: Flamenco (19s )    

VARIOUS ARTISTS
2 - 28     Tagell: Flamenco (2mn 54s )    

SIEPMANN Jeremy
2 - 29     Double-stopping in the lower reaches of the cello s range (36s )    

VARIOUS ARTISTS
2 - 29     Double-stopping in the lower reaches of the cello s range (1mn 25s )    

SIEPMANN Jeremy
2 - 30     Cassado: Solo Suite for Cello and Piano: Sardana (34s )    

VARIOUS ARTISTS
2 - 30     Cassado: Solo Suite for Cello and Piano: Sardana (4mn 10s )    

SIEPMANN Jeremy
2 - 31     It s in its middle register that the cello really comes into its own. (38s )    

VARIOUS ARTISTS
2 - 31     It s in its middle register that the cello really comes into its own. (1mn 14s )    

SIEPMANN Jeremy
2 - 32     Rachmaninoff: Oriental Dance, Op. 2, No. 2 (2mn 05s )    

VARIOUS ARTISTS
2 - 32     Rachmaninoff: Oriental Dance, Op. 2, No. 2 (55s )    

SIEPMANN Jeremy
2 - 33     Beethoven: Symphony No. 5: II. Andante con moto (13s )    

VARIOUS ARTISTS
2 - 33     Beethoven: Symphony No. 5: II. Andante con moto (2mn 20s )    

SIEPMANN Jeremy
2 - 34     Beethoven: Symphony No. 9: IV. Finale (1mn 41s )    

VARIOUS ARTISTS
2 - 34     Beethoven: Symphony No. 9: IV. Finale (1mn 16s )    

SIEPMANN Jeremy
2 - 35     Introduction to the double-bass (31s )    

VARIOUS ARTISTS
2 - 35     Introduction to the double-bass (2mn 25s )    

SIEPMANN Jeremy
2 - 36     Saint-Saens: The Carnival of the Animals: The Elephant (15s )    

VARIOUS ARTISTS
2 - 36     Saint-Saens: The Carnival of the Animals: The Elephant (4mn 35s )    

SIEPMANN Jeremy
2 - 37     But the double-bass can be intensely expressive and graceful. (38s )    

VARIOUS ARTISTS
2 - 37     But the double-bass can be intensely expressive and graceful. (1mn 36s )    

SIEPMANN Jeremy
2 - 38     Bottesini: Elegy No. 1 in D major (1mn 24s )    

VARIOUS ARTISTS
2 - 38     Bottesini: Elegy No. 1 in D major (3mn 18s )    

SIEPMANN Jeremy
2 - 39     Bottesini: Allegro di concerto, "Alla Mendelssohn" (36s )    

VARIOUS ARTISTS
2 - 39     Bottesini: Allegro di concerto, "Alla Mendelssohn" (3mn 06s )    

SIEPMANN Jeremy
2 - 40     Bottesini: Capriccio di bravura (2mn 18s )    

VARIOUS ARTISTS
2 - 40     Bottesini: Capriccio di bravura (1mn 20s )    

SIEPMANN Jeremy
2 - 41     Mahler: Symphony No. 1, "Titan": III. Feierlich und gemessen, ohne zu schleppen / Mahler: Symphony N (47s )    

VARIOUS ARTISTS
2 - 41     Mahler: Symphony No. 1, "Titan": III. Feierlich und gemessen, ohne zu schleppen / Mahler: Symphony N (2mn 46s )    

SIEPMANN Jeremy
2 - 42     Prokofiev: Lieutenant Kije Suite: III. Kije s Wedding / Prokofiev: Romeo and Juliet: Act III (1mn 04s )    

VARIOUS ARTISTS
2 - 42     Prokofiev: Lieutenant Kije Suite: III. Kije s Wedding / Prokofiev: Romeo and Juliet: Act III (13s )    

SIEPMANN Jeremy
2 - 43     Beethoven: Symphony No. 5: III. Allegro (1mn 37s )    

VARIOUS ARTISTS
2 - 43     Beethoven: Symphony No. 5: III. Allegro (1mn 46s )    

SIEPMANN Jeremy
3 - 1     The antiquity and magic of the flute (40s )    

VARIOUS ARTISTS
3 - 1     The antiquity and magic of the flute (3mn 39s )    

SIEPMANN Jeremy
3 - 2     Debussy: Prelude a l apres-midi d un faune (42s )    

VARIOUS ARTISTS
3 - 2     Debussy: Prelude a l apres-midi d un faune (1mn 20s )    

SIEPMANN Jeremy
3 - 3     The versatility and agility of the flute (24s )    

VARIOUS ARTISTS
3 - 3     The versatility and agility of the flute (1mn 57s )    

SIEPMANN Jeremy
3 - 4     Bach: Orchestral Suite No. 2 in B minor: VII. Badinerie (59s )    

VARIOUS ARTISTS
3 - 4     Bach: Orchestral Suite No. 2 in B minor: VII. Badinerie (12s )    

SIEPMANN Jeremy
3 - 5     The flute in fifteenth-century Spain (56s )    

VARIOUS ARTISTS
3 - 5     The flute in fifteenth-century Spain (11s )    

SIEPMANN Jeremy
3 - 6     Anonymous: Sa dawi (4mn 15s )    

VARIOUS ARTISTS
3 - 6     Anonymous: Sa dawi (21s )    

SIEPMANN Jeremy
3 - 7     Other flutes: the bass and alto (38s )    

VARIOUS ARTISTS
3 - 7     Other flutes: the bass and alto (49s )    

SIEPMANN Jeremy
3 - 8     Sallinen: Chamber Music II (1mn 07s )    

VARIOUS ARTISTS
3 - 8     Sallinen: Chamber Music II (26s )    

SIEPMANN Jeremy
3 - 9     The Piccolo - aptly named (3mn )    

VARIOUS ARTISTS
3 - 9     The Piccolo - aptly named (1mn 02s )    

SIEPMANN Jeremy
3 - 10     Rameau: La Naissance d Osiris: VI. Premier et deuxieme tambourin (1mn 03s )    

VARIOUS ARTISTS
3 - 10     Rameau: La Naissance d Osiris: VI. Premier et deuxieme tambourin (26s )    

SIEPMANN Jeremy
3 - 11     From a piccolo of the eighteenth century to one of its descendants in the twentieth (1mn 21s )    

VARIOUS ARTISTS
3 - 11     From a piccolo of the eighteenth century to one of its descendants in the twentieth (36s )    

SIEPMANN Jeremy
3 - 12     Stravinsky: Suite No. 2 for Small Orchestra: II. Valse (52s )    

VARIOUS ARTISTS
3 - 12     Stravinsky: Suite No. 2 for Small Orchestra: II. Valse (1mn 08s )    

SIEPMANN Jeremy
3 - 13     A variety of techniques (21s )    

VARIOUS ARTISTS
3 - 13     A variety of techniques (1mn 43s )    

SIEPMANN Jeremy
3 - 14     Sallinen: Chamber Music II (28s )    

VARIOUS ARTISTS
3 - 14     Sallinen: Chamber Music II (1mn )    

SIEPMANN Jeremy
3 - 15     Flutter-tonguing. But Tchaikovsky got there eighty years before. (1mn )    

VARIOUS ARTISTS
3 - 15     Flutter-tonguing. But Tchaikovsky got there eighty years before. (1mn 02s )    

SIEPMANN Jeremy
3 - 16     Tchaikovsky: The Nutcracker: Act II, No. 2: Scene (1mn 28s )    

VARIOUS ARTISTS
3 - 16     Tchaikovsky: The Nutcracker: Act II, No. 2: Scene (1mn 05s )    

SIEPMANN Jeremy
3 - 17     From the transverse to the vertical: the Baroque recorder (31s )    

VARIOUS ARTISTS
3 - 17     From the transverse to the vertical: the Baroque recorder (44s )    

SIEPMANN Jeremy
3 - 18     Telemann: Recorder Suite in A minor: Menuet II (1mn 09s )    

VARIOUS ARTISTS
3 - 18     Telemann: Recorder Suite in A minor: Menuet II (1mn 50s )    

SIEPMANN Jeremy
3 - 19     An unfamiliar, early vision of the instrument (30s )    

VARIOUS ARTISTS
3 - 19     An unfamiliar, early vision of the instrument (1mn 06s )    

SIEPMANN Jeremy
3 - 20     Baston: Naelden, Naelden (33s )    

VARIOUS ARTISTS
3 - 20     Baston: Naelden, Naelden (1mn 39s )    

SIEPMANN Jeremy
3 - 21     The Bachian oboe (1mn 08s )    

VARIOUS ARTISTS
3 - 21     The Bachian oboe (1mn 27s )    

SIEPMANN Jeremy
3 - 22     Bach: Ein feste Burg ist unser Gott, BWV 80: Duetto: Wie selig sind doch die (1mn 20s )    

VARIOUS ARTISTS
3 - 22     Bach: Ein feste Burg ist unser Gott, BWV 80: Duetto: Wie selig sind doch die (14s )    

SIEPMANN Jeremy
3 - 23     Introduction to the cor anglais or English horn (1mn 48s )    

VARIOUS ARTISTS
3 - 23     Introduction to the cor anglais or English horn (29s )    

SIEPMANN Jeremy
3 - 24     Dvorak: Symphony No. 9, "From the New World": II. Largo (37s )    

VARIOUS ARTISTS
3 - 24     Dvorak: Symphony No. 9, "From the New World": II. Largo (22s )    

SIEPMANN Jeremy
3 - 25     The loneliness of the cor anglais (2mn 25s )    

VARIOUS ARTISTS
3 - 25     The loneliness of the cor anglais (1mn 01s )    

SIEPMANN Jeremy
3 - 26     Sibelius: The Swan of Tuonela (1mn 15s )    

VARIOUS ARTISTS
3 - 26     Sibelius: The Swan of Tuonela (16s )    

SIEPMANN Jeremy
3 - 27     The cor anglais joins the French horn in Haydn. (1mn 18s )    

VARIOUS ARTISTS
3 - 27     The cor anglais joins the French horn in Haydn. (11s )    

SIEPMANN Jeremy
3 - 28     Haydn: Symphony No. 22, "The Philosopher": I. Adagio (2mn 37s )    

VARIOUS ARTISTS
3 - 28     Haydn: Symphony No. 22, "The Philosopher": I. Adagio (38s )    

SIEPMANN Jeremy
3 - 29     Introduction to the oboe d amore, beloved of Bach - but also of Ravel (20s )    

VARIOUS ARTISTS
3 - 29     Introduction to the oboe d amore, beloved of Bach - but also of Ravel (1mn 25s )    

SIEPMANN Jeremy
3 - 30     Ravel: Bolero (57s )    

VARIOUS ARTISTS
3 - 30     Ravel: Bolero (23s )    

SIEPMANN Jeremy
3 - 31     Herrmann: The Egyptian: Violence / Janacek: Taras Bulba: The Death of Ostap (3mn )    

VARIOUS ARTISTS
3 - 31     Herrmann: The Egyptian: Violence / Janacek: Taras Bulba: The Death of Ostap (10s )    

SIEPMANN Jeremy
3 - 32     Stravinsky: Petrushka: Peasant with Bear / Berlioz: Symphonie fantastique: V. Songe d une nuit / Pro (1mn 30s )    

VARIOUS ARTISTS
3 - 32     Stravinsky: Petrushka: Peasant with Bear / Berlioz: Symphonie fantastique: V. Songe d une nuit / Pro (17s )    

SIEPMANN Jeremy
3 - 33     As the high clarinets tend to be loud, so the bass tends to be soft (2mn 04s )    

VARIOUS ARTISTS
3 - 33     As the high clarinets tend to be loud, so the bass tends to be soft (06s )    

SIEPMANN Jeremy
3 - 34     Khachaturian: Gayane Suite No. 1: V. Gayane s Solo (1mn 08s )    

VARIOUS ARTISTS
3 - 34     Khachaturian: Gayane Suite No. 1: V. Gayane s Solo (38s )    

SIEPMANN Jeremy
3 - 35     Stravinsky: Petrushka: The Blackamoor / Albeniz: Iberia: Almeria (14s )    

VARIOUS ARTISTS
3 - 35     Stravinsky: Petrushka: The Blackamoor / Albeniz: Iberia: Almeria (2mn 10s )    

SIEPMANN Jeremy
3 - 36     The range of the normal clarinet parts goes quite high... (19s )    

VARIOUS ARTISTS
3 - 36     The range of the normal clarinet parts goes quite high... (1mn 39s )    

SIEPMANN Jeremy
3 - 37     Tchaikovsky: The Snow Maiden: Scene 5: Melodrama (1mn 25s )    

VARIOUS ARTISTS
3 - 37     Tchaikovsky: The Snow Maiden: Scene 5: Melodrama (1mn 16s )    

SIEPMANN Jeremy
3 - 38     ....and quite low. (48s )    

VARIOUS ARTISTS
3 - 38     ....and quite low. (3mn 11s )    

SIEPMANN Jeremy
3 - 39     Prokofiev: Peter and the Wolf: The Cat (1mn 28s )    

VARIOUS ARTISTS
3 - 39     Prokofiev: Peter and the Wolf: The Cat (4mn 28s )    

SIEPMANN Jeremy
3 - 40     The clarinet as concerto soloist (23s )    

VARIOUS ARTISTS
3 - 40     The clarinet as concerto soloist (5mn 06s )    

SIEPMANN Jeremy
3 - 41     Mozart: Clarinet Concerto in A major: III. Rondo (18s )    

VARIOUS ARTISTS
3 - 41     Mozart: Clarinet Concerto in A major: III. Rondo (1mn 49s )    

SIEPMANN Jeremy
3 - 42     But that s not the instrument Mozart wrote it for; this is: (15s )    

VARIOUS ARTISTS
3 - 42     But that s not the instrument Mozart wrote it for; this is: (3mn 44s )    

SIEPMANN Jeremy
3 - 43     Mozart: Clarinet Concerto in A major: III. Rondo (24s )    

VARIOUS ARTISTS
3 - 43     Mozart: Clarinet Concerto in A major: III. Rondo (14s )    

SIEPMANN Jeremy
3 - 44     Introduction to the saxophone (1mn 59s )    

VARIOUS ARTISTS
3 - 44     Introduction to the saxophone (40s )    

SIEPMANN Jeremy
3 - 45     Kodaly: Hary Janos Suite: IV. The Battle and Defeat of Napoleon (1mn 02s )    

VARIOUS ARTISTS
3 - 45     Kodaly: Hary Janos Suite: IV. The Battle and Defeat of Napoleon (1mn 16s )    

SIEPMANN Jeremy
3 - 46     The soprano saxophone has quite a different feel to it (47s )    

VARIOUS ARTISTS
3 - 46     The soprano saxophone has quite a different feel to it (53s )    

SIEPMANN Jeremy
3 - 47     Bizet: L Arlesienne Suite No. 1: II. Minuet (2mn 46s )    

VARIOUS ARTISTS
3 - 47     Bizet: L Arlesienne Suite No. 1: II. Minuet (2mn 35s )    

SIEPMANN Jeremy
3 - 48     The little sopranino sax goes even higher (1mn 42s )    

VARIOUS ARTISTS
3 - 48     The little sopranino sax goes even higher (1mn 13s )    

SIEPMANN Jeremy
3 - 49     Ravel: Bolero (56s )    

VARIOUS ARTISTS
3 - 49     Ravel: Bolero (19s )    

SIEPMANN Jeremy
3 - 50     The most famous use of the saxophone is in an orchestration by Ravel (18s )    

VARIOUS ARTISTS
3 - 50     The most famous use of the saxophone is in an orchestration by Ravel (13s )    

SIEPMANN Jeremy
3 - 51     Mussorgsky: Pictures at an exhibition: The Old Castle (18s )    

VARIOUS ARTISTS
3 - 51     Mussorgsky: Pictures at an exhibition: The Old Castle (26s )    

SIEPMANN Jeremy
3 - 52     The saxophone can be quite contagiously good-humoured. (17s )    

VARIOUS ARTISTS
3 - 52     The saxophone can be quite contagiously good-humoured. (20s )    

SIEPMANN Jeremy
3 - 53     Wiedoeft: Sax-o-phun (25s )    

VARIOUS ARTISTS
3 - 53     Wiedoeft: Sax-o-phun (21s )    

SIEPMANN Jeremy
3 - 54     The puffa-puffa image of the bassoon (1mn 20s )    

VARIOUS ARTISTS
3 - 54     The puffa-puffa image of the bassoon (1mn 02s )    

SIEPMANN Jeremy
3 - 55     Prokofiev: Peter and the Wolf: Grandfather (1mn 27s )    

VARIOUS ARTISTS
3 - 55     Prokofiev: Peter and the Wolf: Grandfather (4mn 15s )    

SIEPMANN Jeremy
3 - 56     The Bachian bassoon, in accompanimental mode (42s )    

VARIOUS ARTISTS
3 - 56     The Bachian bassoon, in accompanimental mode (1mn 46s )    

SIEPMANN Jeremy
3 - 57     Bach: Weicher nur, betrubte Schatten, BWV 202, "Wedding Cantata": Aria No. 1 (14s )    

VARIOUS ARTISTS
3 - 57     Bach: Weicher nur, betrubte Schatten, BWV 202, "Wedding Cantata": Aria No. 1 (1mn 08s )    

SIEPMANN Jeremy
3 - 58     Bizet: Carmen Suite No. 1: V. Les Dragons d Alcala (36s )    

VARIOUS ARTISTS
3 - 58     Bizet: Carmen Suite No. 1: V. Les Dragons d Alcala (1mn 55s )    

SIEPMANN Jeremy
3 - 59     And Ravel, also in Spanish mode, does likewise (12s )    

VARIOUS ARTISTS
3 - 59     And Ravel, also in Spanish mode, does likewise (1mn 17s )    

SIEPMANN Jeremy
3 - 60     Ravel: Bolero (32s )    

VARIOUS ARTISTS
3 - 60     Ravel: Bolero (1mn 12s )    

SIEPMANN Jeremy
3 - 61     The bassoon as a voice of high seriousness, indeed desolate loneliness (26s )    

VARIOUS ARTISTS
3 - 61     The bassoon as a voice of high seriousness, indeed desolate loneliness (1mn 12s )    

SIEPMANN Jeremy
3 - 62     Bax: Symphony No. 3: I. Lento moderato (33s )    

VARIOUS ARTISTS
3 - 62     Bax: Symphony No. 3: I. Lento moderato (47s )    

SIEPMANN Jeremy
3 - 63     The eerie bassoon in its highest register (09s )    

VARIOUS ARTISTS
3 - 63     The eerie bassoon in its highest register (29s )    

SIEPMANN Jeremy
3 - 64     Stravinsky: The Rite of Spring: opening (17s )    

VARIOUS ARTISTS
3 - 64     Stravinsky: The Rite of Spring: opening (3mn 57s )    

SIEPMANN Jeremy
3 - 65     Stravinsky now draws on its lowest register, lonely and melancholy. (2mn 07s )    

VARIOUS ARTISTS
3 - 65     Stravinsky now draws on its lowest register, lonely and melancholy. (2mn 20s )    

SIEPMANN Jeremy
3 - 66     Stravinsky: The Firebird Suite (1919): Berceuse (24s )    

VARIOUS ARTISTS
3 - 66     Stravinsky: The Firebird Suite (1919): Berceuse (2mn 09s )    

SIEPMANN Jeremy
3 - 67     The bassoon as concerto soloist, avoiding all exaggeration (1mn 20s )    

VARIOUS ARTISTS
3 - 67     The bassoon as concerto soloist, avoiding all exaggeration (47s )    

SIEPMANN Jeremy
3 - 68     Molter: Bassoon Concerto in G minor: III. ? (27s )    

VARIOUS ARTISTS
3 - 68     Molter: Bassoon Concerto in G minor: III. ? (2mn 18s )    

SIEPMANN Jeremy
3 - 69     The deep-voiced contra-bassoon, as a fairy-tale beast (12s )    

VARIOUS ARTISTS
3 - 69     The deep-voiced contra-bassoon, as a fairy-tale beast (1mn 09s )    

SIEPMANN Jeremy
3 - 70     Ravel: Ma Mere l oye (Mother Goose): IV. Beauty and the Beast (20s )    

VARIOUS ARTISTS
3 - 70     Ravel: Ma Mere l oye (Mother Goose): IV. Beauty and the Beast (1mn 53s )    

SIEPMANN Jeremy
3 - 71     The French Horn under its woodwind hat (30s )    

VARIOUS ARTISTS
3 - 71     The French Horn under its woodwind hat (2mn 21s )    

SIEPMANN Jeremy
3 - 72     Nielsen: Wind Quintet, Op. 43: III. Praeludium - Tema con variazioni (19s )    

VARIOUS ARTISTS
3 - 72     Nielsen: Wind Quintet, Op. 43: III. Praeludium - Tema con variazioni (2mn 12s )    

SIEPMANN Jeremy
3 - 73     Now a more prominent role, in a woodwind quintet from an earlier era (16s )    

VARIOUS ARTISTS
3 - 73     Now a more prominent role, in a woodwind quintet from an earlier era (1mn 27s )    

SIEPMANN Jeremy
3 - 74     Reicha: Wind Quintet in A minor, Op. 100, No. 5: II. Andante con variazioni (20s )    

VARIOUS ARTISTS
3 - 74     Reicha: Wind Quintet in A minor, Op. 100, No. 5: II. Andante con variazioni (2mn 16s )    

SIEPMANN Jeremy
3 - 75     The horn in harmonious blend with strings in another quintet (15s )    

VARIOUS ARTISTS
3 - 75     The horn in harmonious blend with strings in another quintet (2mn 12s )    

SIEPMANN Jeremy
3 - 76     Mozart: Horn Quintet in E flat major, K. 407: III. Rondeau (37s )    

VARIOUS ARTISTS
3 - 76     Mozart: Horn Quintet in E flat major, K. 407: III. Rondeau (2mn 58s )    

SIEPMANN Jeremy
4 - 1     The Trumpet as virtuoso soloist (44s )    

VARIOUS ARTISTS
4 - 1     The Trumpet as virtuoso soloist (1mn 10s )    

SIEPMANN Jeremy
4 - 2     Bach: Brandenburg Concerto No. 2: III. Allegro assai (05s )    

VARIOUS ARTISTS
4 - 2     Bach: Brandenburg Concerto No. 2: III. Allegro assai (1mn 28s )    

SIEPMANN Jeremy
4 - 3     The special brilliance of paired trumpets (07s )    

VARIOUS ARTISTS
4 - 3     The special brilliance of paired trumpets (1mn 08s )    

SIEPMANN Jeremy
4 - 4     Vivaldi: Concerto in C for two trumpets, RV 537: I. Allegro (13s )    

VARIOUS ARTISTS
4 - 4     Vivaldi: Concerto in C for two trumpets, RV 537: I. Allegro (1mn 12s )    

SIEPMANN Jeremy
4 - 5     The ceremonial trumpet (07s )    

VARIOUS ARTISTS
4 - 5     The ceremonial trumpet (1mn 17s )    

SIEPMANN Jeremy
4 - 6     Copland: Fanfare for the Common Man (04s )    

VARIOUS ARTISTS
4 - 6     Copland: Fanfare for the Common Man (1mn 12s )    

SIEPMANN Jeremy
4 - 7     Trumpets and drums - an incomparable alliance (07s )    

VARIOUS ARTISTS
4 - 7     Trumpets and drums - an incomparable alliance (1mn 22s )    

SIEPMANN Jeremy
4 - 8     Handel: Messiah: The Trumpet Shall Sound (19s )    

VARIOUS ARTISTS
4 - 8     Handel: Messiah: The Trumpet Shall Sound (40s )    

SIEPMANN Jeremy
4 - 9     The versatility of the trumpet, from the most public to the most lonely (19s )    

VARIOUS ARTISTS
4 - 9     The versatility of the trumpet, from the most public to the most lonely (2mn 01s )    

SIEPMANN Jeremy
4 - 10     Gershwin: Piano Concerto in F: II. Andante con moto - Adagio (34s )    

VARIOUS ARTISTS
4 - 10     Gershwin: Piano Concerto in F: II. Andante con moto - Adagio (3mn 32s )    

SIEPMANN Jeremy
4 - 11     Gershwin: An American in Paris / Stravinsky: The Soldier s Tale: The March (34s )    

VARIOUS ARTISTS
4 - 11     Gershwin: An American in Paris / Stravinsky: The Soldier s Tale: The March (1mn 39s )    

SIEPMANN Jeremy
4 - 12     Bizet: Carmen Suite No. 2: II. Habanera (58s )    

VARIOUS ARTISTS
4 - 12     Bizet: Carmen Suite No. 2: II. Habanera (4mn 28s )    

SIEPMANN Jeremy
4 - 13     The trumpet as the voice of strength and courage (27s )    

VARIOUS ARTISTS
4 - 13     The trumpet as the voice of strength and courage (47s )    

SIEPMANN Jeremy
4 - 14     Bizet: Carmen Suite No. 2: IV. Toreador s Song (1mn 44s )    

VARIOUS ARTISTS
4 - 14     Bizet: Carmen Suite No. 2: IV. Toreador s Song (1mn 04s )    

SIEPMANN Jeremy
4 - 15     Stravinsky: Petrushka: The Blackamoor / Prokofiev: Lieutenant Kije Suite: I. The Birth of Kije (1mn 43s )    

VARIOUS ARTISTS
4 - 15     Stravinsky: Petrushka: The Blackamoor / Prokofiev: Lieutenant Kije Suite: I. The Birth of Kije (1mn 10s )    

SIEPMANN Jeremy
4 - 16     Copland: Billy the Kid (1mn 50s )    

VARIOUS ARTISTS
4 - 16     Copland: Billy the Kid (2mn 41s )    

SIEPMANN Jeremy
4 - 17     The trumpet as character actor (1mn 14s )    

VARIOUS ARTISTS
4 - 17     The trumpet as character actor (57s )    

SIEPMANN Jeremy
4 - 18     Mussorgsky: Pictures at an Exhibition: Samuel Goldenberg and Schmuyle (47s )    

VARIOUS ARTISTS
4 - 18     Mussorgsky: Pictures at an Exhibition: Samuel Goldenberg and Schmuyle (1mn 35s )    

SIEPMANN Jeremy
4 - 19     The trumpet as the voice of God (2mn 13s )    

VARIOUS ARTISTS
4 - 19     The trumpet as the voice of God (3mn 24s )    

SIEPMANN Jeremy
4 - 20     Bach: Mass in B minor: Et expecto    

VARIOUS ARTISTS
4 - 20     Bach: Mass in B minor: Et expecto    

SIEPMANN Jeremy
4 - 21     The birth of the trombone    

VARIOUS ARTISTS
4 - 21     The birth of the trombone    

SIEPMANN Jeremy
4 - 22     Anonymous: Aenmerckt nu hier    

VARIOUS ARTISTS
4 - 22     Anonymous: Aenmerckt nu hier    

SIEPMANN Jeremy
4 - 23     The birth of the brass as a family    

VARIOUS ARTISTS
4 - 23     The birth of the brass as a family    

SIEPMANN Jeremy
4 - 24     Gabrieli: Canzon a 12 in Double Echo    

VARIOUS ARTISTS
4 - 24     Gabrieli: Canzon a 12 in Double Echo    

SIEPMANN Jeremy
4 - 25     The trombone in the eighteenth century    

VARIOUS ARTISTS
4 - 25     The trombone in the eighteenth century    

SIEPMANN Jeremy
4 - 26     Albrechtsberger: Trombone Concerto in B flat major: III. Finale    

VARIOUS ARTISTS
4 - 26     Albrechtsberger: Trombone Concerto in B flat major: III. Finale    

SIEPMANN Jeremy
4 - 27     Hoser: Romance for trombone and organ / Berlioz: Requiem: Dies Irae    

VARIOUS ARTISTS
4 - 27     Hoser: Romance for trombone and organ / Berlioz: Requiem: Dies Irae    

SIEPMANN Jeremy
4 - 28     Liszt: Hosannah, S677/R409    

VARIOUS ARTISTS
4 - 28     Liszt: Hosannah, S677/R409    

SIEPMANN Jeremy
4 - 29     The trombones become part of the orchestra    

VARIOUS ARTISTS
4 - 29     The trombones become part of the orchestra    

SIEPMANN Jeremy
4 - 30     Beethoven: Symphony No. 5: IV. Allegro    

VARIOUS ARTISTS
4 - 30     Beethoven: Symphony No. 5: IV. Allegro    

SIEPMANN Jeremy
4 - 31     Wagner: Tannhauser: Overture    

VARIOUS ARTISTS
4 - 31     Wagner: Tannhauser: Overture    

SIEPMANN Jeremy
4 - 32     The Trombone as caricaturist    

VARIOUS ARTISTS
4 - 32     The Trombone as caricaturist    

SIEPMANN Jeremy
4 - 33     Stravinsky: Pulcinella: No. 19: Vivo    

VARIOUS ARTISTS
4 - 33     Stravinsky: Pulcinella: No. 19: Vivo    

SIEPMANN Jeremy
4 - 34     Bartok: Concerto for Orchestra: IV. Intermezzo interrotto    

VARIOUS ARTISTS
4 - 34     Bartok: Concerto for Orchestra: IV. Intermezzo interrotto    

SIEPMANN Jeremy
4 - 35     The horn and the hunt    

VARIOUS ARTISTS
4 - 35     The horn and the hunt    

SIEPMANN Jeremy
4 - 36     Mozart: Horn Concerto No. 4 in E flat, K. 495: III. Rondo    

VARIOUS ARTISTS
4 - 36     Mozart: Horn Concerto No. 4 in E flat, K. 495: III. Rondo    

SIEPMANN Jeremy
4 - 37     The challenging horn of the Baroque    

VARIOUS ARTISTS
4 - 37     The challenging horn of the Baroque    

SIEPMANN Jeremy
4 - 38     Rameau: Abaris ou les Boreades: II. Menuet    

VARIOUS ARTISTS
4 - 38     Rameau: Abaris ou les Boreades: II. Menuet    

SIEPMANN Jeremy
4 - 39     The scarcity of first-rate players in Handel s time    

VARIOUS ARTISTS
4 - 39     The scarcity of first-rate players in Handel s time    

SIEPMANN Jeremy
4 - 40     Handel: Water Music: Suite No. 1 in F major, HWV 348: Menuet    

VARIOUS ARTISTS
4 - 40     Handel: Water Music: Suite No. 1 in F major, HWV 348: Menuet    

SIEPMANN Jeremy
4 - 41     Stravinsky: The Firebird Suite (1919): Finale    

VARIOUS ARTISTS
4 - 41     Stravinsky: The Firebird Suite (1919): Finale    

SIEPMANN Jeremy
4 - 42     Horns and the sound of nobility    

VARIOUS ARTISTS
4 - 42     Horns and the sound of nobility    

SIEPMANN Jeremy
4 - 43     Wagner: Tannhauser: Overture (opening)    

VARIOUS ARTISTS
4 - 43     Wagner: Tannhauser: Overture (opening)    

SIEPMANN Jeremy
4 - 44     The special sound of the horn in its higher register    

VARIOUS ARTISTS
4 - 44     The special sound of the horn in its higher register    

SIEPMANN Jeremy
4 - 45     Bach: Mass in B minor: Quoniam tu solus sanctus    

VARIOUS ARTISTS
4 - 45     Bach: Mass in B minor: Quoniam tu solus sanctus    

SIEPMANN Jeremy
4 - 46     The trumpet-like sound of massed horns    

VARIOUS ARTISTS
4 - 46     The trumpet-like sound of massed horns    

SIEPMANN Jeremy
4 - 47     Mahler: Symphony No. 3: I. Kraftig (opening)    

VARIOUS ARTISTS
4 - 47     Mahler: Symphony No. 3: I. Kraftig (opening)    

SIEPMANN Jeremy
4 - 48     The tuba - unfairly maligned?    

VARIOUS ARTISTS
4 - 48     The tuba - unfairly maligned?    

SIEPMANN Jeremy
4 - 49     Prokofiev: Symphony No. 6: III. Vivace    

VARIOUS ARTISTS
4 - 49     Prokofiev: Symphony No. 6: III. Vivace    

SIEPMANN Jeremy
4 - 50     The tuba perfectly cast by Ravel    

VARIOUS ARTISTS
4 - 50     The tuba perfectly cast by Ravel    

SIEPMANN Jeremy
4 - 51     Mussorgsky: Pictures at an Exhibition: Bydlo    

VARIOUS ARTISTS
4 - 51     Mussorgsky: Pictures at an Exhibition: Bydlo    

SIEPMANN Jeremy
5 - 1     Introduction. And we begin with a bang.    

VARIOUS ARTISTS
5 - 1     Introduction. And we begin with a bang.    

SIEPMANN Jeremy
5 - 2     Copland: Fanfare for the Common Man / Beethoven: Wellington s Victory, Op. 91 (opening)    

VARIOUS ARTISTS
5 - 2     Copland: Fanfare for the Common Man / Beethoven: Wellington s Victory, Op. 91 (opening)    

SIEPMANN Jeremy
5 - 3     At the opposite extreme is the triangle.    

VARIOUS ARTISTS
5 - 3     At the opposite extreme is the triangle.    

SIEPMANN Jeremy
5 - 4     Liszt: Piano Concerto No. 1 in E flat major: Scherzo    

VARIOUS ARTISTS
5 - 4     Liszt: Piano Concerto No. 1 in E flat major: Scherzo    

SIEPMANN Jeremy
5 - 5     Categories of percussion: tuned and untuned. The side drum    

VARIOUS ARTISTS
5 - 5     Categories of percussion: tuned and untuned. The side drum    

SIEPMANN Jeremy
5 - 6     Rossini: La gazza ladra (The Thieving Magpie): Overture (opening)    

VARIOUS ARTISTS
5 - 6     Rossini: La gazza ladra (The Thieving Magpie): Overture (opening)    

SIEPMANN Jeremy
5 - 7     Nielsen: Clarinet Concerto (opening)    

VARIOUS ARTISTS
5 - 7     Nielsen: Clarinet Concerto (opening)    

SIEPMANN Jeremy
5 - 8     The tambourine. One of the oldest instruments in the world    

VARIOUS ARTISTS
5 - 8     The tambourine. One of the oldest instruments in the world    

SIEPMANN Jeremy
5 - 9     Anonymous: Den hoboecken dans    

VARIOUS ARTISTS
5 - 9     Anonymous: Den hoboecken dans    

SIEPMANN Jeremy
5 - 10     Even older is the originally oriental gong.    

VARIOUS ARTISTS
5 - 10     Even older is the originally oriental gong.    

SIEPMANN Jeremy
5 - 11     Ravel: Ma Mere l oye (Mother Goose): Laideronette    

VARIOUS ARTISTS
5 - 11     Ravel: Ma Mere l oye (Mother Goose): Laideronette    

SIEPMANN Jeremy
5 - 12     Britten: Peter Grimes: Passacaglia, Op. 33b    

VARIOUS ARTISTS
5 - 12     Britten: Peter Grimes: Passacaglia, Op. 33b    

SIEPMANN Jeremy
5 - 13     Satie: Gymnopedie No. 2    

VARIOUS ARTISTS
5 - 13     Satie: Gymnopedie No. 2    

SIEPMANN Jeremy
5 - 14     Elgar: The Sanguine fan / Cymbals clashed softly / Cymbals struck singly / Cymbals stroked with wire    

VARIOUS ARTISTS
5 - 14     Elgar: The Sanguine fan / Cymbals clashed softly / Cymbals struck singly / Cymbals stroked with wire    

SIEPMANN Jeremy
5 - 15     Ravel: Piano Concerto in G major (opening) / Tchaikovsky: The Nutcracker: Act I Scene 5    

VARIOUS ARTISTS
5 - 15     Ravel: Piano Concerto in G major (opening) / Tchaikovsky: The Nutcracker: Act I Scene 5    

SIEPMANN Jeremy
5 - 16     Wood blocks    

VARIOUS ARTISTS
5 - 16     Wood blocks    

SIEPMANN Jeremy
5 - 17     Copland: Rodeo: IV. Hoe-Down    

VARIOUS ARTISTS
5 - 17     Copland: Rodeo: IV. Hoe-Down    

SIEPMANN Jeremy
5 - 18     Glinka: Jota aragonesa    

VARIOUS ARTISTS
5 - 18     Glinka: Jota aragonesa    

SIEPMANN Jeremy
5 - 19     Monteverdi: Scherzi musicali: Damigella tutta bella    

VARIOUS ARTISTS
5 - 19     Monteverdi: Scherzi musicali: Damigella tutta bella    

SIEPMANN Jeremy
5 - 20     A still earlier example from fifteenth-century Spain    

VARIOUS ARTISTS
5 - 20     A still earlier example from fifteenth-century Spain    

SIEPMANN Jeremy
5 - 21     Traditional: Yo m enamori d un aire    

VARIOUS ARTISTS
5 - 21     Traditional: Yo m enamori d un aire    

SIEPMANN Jeremy
5 - 22     The birth of the bongo    

VARIOUS ARTISTS
5 - 22     The birth of the bongo    

SIEPMANN Jeremy
5 - 23     Bernstein: West Side Story (Symphonic Dances)    

VARIOUS ARTISTS
5 - 23     Bernstein: West Side Story (Symphonic Dances)    

SIEPMANN Jeremy
5 - 24     Verdi: II Trovatore: Act II: Anvil Chorus    

VARIOUS ARTISTS
5 - 24     Verdi: II Trovatore: Act II: Anvil Chorus    

SIEPMANN Jeremy
5 - 25     Grofe: Grand Canyon Suite: III. On the Trail / Varese: Arcana    

VARIOUS ARTISTS
5 - 25     Grofe: Grand Canyon Suite: III. On the Trail / Varese: Arcana    

SIEPMANN Jeremy
5 - 26     Moncayo: Huapango    

VARIOUS ARTISTS
5 - 26     Moncayo: Huapango    

SIEPMANN Jeremy
5 - 27     Onwards to the tuned percussion. First, the timpani    

VARIOUS ARTISTS
5 - 27     Onwards to the tuned percussion. First, the timpani    

SIEPMANN Jeremy
5 - 28     Strauss: Also sprach Zarathustra: Introduction    

VARIOUS ARTISTS
5 - 28     Strauss: Also sprach Zarathustra: Introduction    

SIEPMANN Jeremy
5 - 29     Mahler: Symphony No. 2, "Resurrection ": III. In ruhig fliessender Bewegung    

VARIOUS ARTISTS
5 - 29     Mahler: Symphony No. 2, "Resurrection ": III. In ruhig fliessender Bewegung    

SIEPMANN Jeremy
5 - 30     Grofe: Grand Canyon Suite: I. Sunrise / Berlioz: Symphonie fantastique: V. Songe d une nuit de Sabba    

VARIOUS ARTISTS
5 - 30     Grofe: Grand Canyon Suite: I. Sunrise / Berlioz: Symphonie fantastique: V. Songe d une nuit de Sabba    

SIEPMANN Jeremy
5 - 31     Taking advantage of tunability    

VARIOUS ARTISTS
5 - 31     Taking advantage of tunability    

SIEPMANN Jeremy
5 - 32     Bartok: Music for Strings, Percussion and Celesta: II. Allegro    

VARIOUS ARTISTS
5 - 32     Bartok: Music for Strings, Percussion and Celesta: II. Allegro    

SIEPMANN Jeremy
5 - 33     Shchedrin: Carmen Suite: IV. Changing of the Guard    

VARIOUS ARTISTS
5 - 33     Shchedrin: Carmen Suite: IV. Changing of the Guard    

SIEPMANN Jeremy
5 - 34     Shchedrin: Carmen Suite: V. Carmen s Entrance and Habanera    

VARIOUS ARTISTS
5 - 34     Shchedrin: Carmen Suite: V. Carmen s Entrance and Habanera    

SIEPMANN Jeremy
5 - 35     Saint-Saens and the xylophone    

VARIOUS ARTISTS
5 - 35     Saint-Saens and the xylophone    

SIEPMANN Jeremy
5 - 36     Saint-Saens: The Carnival of the Animals: Fossils    

VARIOUS ARTISTS
5 - 36     Saint-Saens: The Carnival of the Animals: Fossils    

SIEPMANN Jeremy
5 - 37     Ravel and the xylophone    

VARIOUS ARTISTS
5 - 37     Ravel and the xylophone    

SIEPMANN Jeremy
5 - 38     Ravel: Ma Mere l oye (Mother Goose): Laideronette    

VARIOUS ARTISTS
5 - 38     Ravel: Ma Mere l oye (Mother Goose): Laideronette    

SIEPMANN Jeremy
5 - 39     Shchedrin: Carmen Suite: III. First Intermezzo    

VARIOUS ARTISTS
5 - 39     Shchedrin: Carmen Suite: III. First Intermezzo    

SIEPMANN Jeremy
5 - 40     Introducing the vibraphone    

VARIOUS ARTISTS
5 - 40     Introducing the vibraphone    

SIEPMANN Jeremy
5 - 41     Steiner: The Treasure of the Sierra Madre: Narange dolce    

VARIOUS ARTISTS
5 - 41     Steiner: The Treasure of the Sierra Madre: Narange dolce    

SIEPMANN Jeremy
5 - 42     Shchedrin: Carmen Suite: V. Carmen s Entrance and Habanera    

VARIOUS ARTISTS
5 - 42     Shchedrin: Carmen Suite: V. Carmen s Entrance and Habanera    

SIEPMANN Jeremy
5 - 43     Introducing the Hungarian cimbalom    

VARIOUS ARTISTS
5 - 43     Introducing the Hungarian cimbalom    

SIEPMANN Jeremy
5 - 44     Traditional: Folk Dances    

VARIOUS ARTISTS
5 - 44     Traditional: Folk Dances    

SIEPMANN Jeremy
5 - 45     The cimbalom and the symphony orchestra    

VARIOUS ARTISTS
5 - 45     The cimbalom and the symphony orchestra    

SIEPMANN Jeremy
5 - 46     Kodaly: Hary Janos Suite : III. Song    

VARIOUS ARTISTS
5 - 46     Kodaly: Hary Janos Suite : III. Song    

SIEPMANN Jeremy
5 - 47     Introducing the tubular bells    

VARIOUS ARTISTS
5 - 47     Introducing the tubular bells    

SIEPMANN Jeremy
5 - 48     Kodaly: Hary Janos Suite: II. Viennese Musical Clock    

VARIOUS ARTISTS
5 - 48     Kodaly: Hary Janos Suite: II. Viennese Musical Clock    

SIEPMANN Jeremy
5 - 49     A more "up-front" approach from Rodion Shchedrin    

VARIOUS ARTISTS
5 - 49     A more "up-front" approach from Rodion Shchedrin    

SIEPMANN Jeremy
5 - 50     Shchedrin: Carmen Suite: I. Introduction    

VARIOUS ARTISTS
5 - 50     Shchedrin: Carmen Suite: I. Introduction    

SIEPMANN Jeremy
5 - 51     Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude    

VARIOUS ARTISTS
5 - 51     Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude    

SIEPMANN Jeremy
5 - 52     Introducing the celesta    

VARIOUS ARTISTS
5 - 52     Introducing the celesta    

SIEPMANN Jeremy
5 - 53     Tchaikovsky: The Nutcracker: Dance of the Sugar Plum Fairy    

VARIOUS ARTISTS
5 - 53     Tchaikovsky: The Nutcracker: Dance of the Sugar Plum Fairy    

SIEPMANN Jeremy
5 - 54     Magic, in the use of collective percussion    

VARIOUS ARTISTS
5 - 54     Magic, in the use of collective percussion    

SIEPMANN Jeremy
5 - 55     Ravels: Miroirs: V. La vallee des cloches    

VARIOUS ARTISTS
5 - 55     Ravels: Miroirs: V. La vallee des cloches    

SIEPMANN Jeremy
5 - 56     Shchedrin: Carmen Suite: VI. Scene    

VARIOUS ARTISTS
5 - 56     Shchedrin: Carmen Suite: VI. Scene    

SIEPMANN Jeremy
5 - 57     Tchaikovsky: The Nutcracker: Act II: Scene / Liszt: Hungarian Rhapsody No. 1    

VARIOUS ARTISTS
5 - 57     Tchaikovsky: The Nutcracker: Act II: Scene / Liszt: Hungarian Rhapsody No. 1    

SIEPMANN Jeremy
5 - 58     The traditionally subservient role of the harpsichord in the Baroque orchestra    

VARIOUS ARTISTS
5 - 58     The traditionally subservient role of the harpsichord in the Baroque orchestra    

SIEPMANN Jeremy
5 - 59     Bach: Brandenburg Concerto No. 2: II. Andante    

VARIOUS ARTISTS
5 - 59     Bach: Brandenburg Concerto No. 2: II. Andante    

SIEPMANN Jeremy
5 - 60     Saint-Saens: Symphony No. 3, "Organ": II. Allegro moderato    

VARIOUS ARTISTS
5 - 60     Saint-Saens: Symphony No. 3, "Organ": II. Allegro moderato    

SIEPMANN Jeremy
5 - 61     Stravinsky: Petrushka: Russian Dance    

VARIOUS ARTISTS
5 - 61     Stravinsky: Petrushka: Russian Dance    

SIEPMANN Jeremy
5 - 62     The anti-Romantic piano as an integral part of the orchestra    

VARIOUS ARTISTS
5 - 62     The anti-Romantic piano as an integral part of the orchestra    

SIEPMANN Jeremy
5 - 63     Bartok: Music for Strings, Percussion and Celesta: IV. Allegro molto    

VARIOUS ARTISTS
5 - 63     Bartok: Music for Strings, Percussion and Celesta: IV. Allegro molto    

SIEPMANN Jeremy
6 - 1     Keyboard instruments in the orchestra - the most powerful of them all:    

VARIOUS ARTISTS
6 - 1     Keyboard instruments in the orchestra - the most powerful of them all:    

SIEPMANN Jeremy
6 - 2     Saint-Saens: Symphony No. 3, "Organ": II. Presto    

VARIOUS ARTISTS
6 - 2     Saint-Saens: Symphony No. 3, "Organ": II. Presto    

SIEPMANN Jeremy
6 - 3     But things in Handel s day were very different.    

VARIOUS ARTISTS
6 - 3     But things in Handel s day were very different.    

SIEPMANN Jeremy
6 - 4     Handel: Organ Concerto in B flat major, Op. 4, No. 3: IV. Gavotte    

VARIOUS ARTISTS
6 - 4     Handel: Organ Concerto in B flat major, Op. 4, No. 3: IV. Gavotte    

SIEPMANN Jeremy
6 - 5     The organ is difficult to classify.    

VARIOUS ARTISTS
6 - 5     The organ is difficult to classify.    

SIEPMANN Jeremy
6 - 6     An unexpected, organ-related guest    

VARIOUS ARTISTS
6 - 6     An unexpected, organ-related guest    

SIEPMANN Jeremy
6 - 7     Boismortier: Concerto pour Zampogna: III. Allegro    

VARIOUS ARTISTS
6 - 7     Boismortier: Concerto pour Zampogna: III. Allegro    

SIEPMANN Jeremy
6 - 8     Peasant-fancying? and a touch of the roaming cowboy    

VARIOUS ARTISTS
6 - 8     Peasant-fancying? and a touch of the roaming cowboy    

SIEPMANN Jeremy
6 - 9     Schoenberg: Les Miserables: Drink with Me    

VARIOUS ARTISTS
6 - 9     Schoenberg: Les Miserables: Drink with Me    

SIEPMANN Jeremy
6 - 10     Mozart: German Dance, K. 603, No. 3    

VARIOUS ARTISTS
6 - 10     Mozart: German Dance, K. 603, No. 3    

SIEPMANN Jeremy
6 - 11     Mahler: Symphony No. 4: I. Bedachtig, nicht eilen    

VARIOUS ARTISTS
6 - 11     Mahler: Symphony No. 4: I. Bedachtig, nicht eilen    

SIEPMANN Jeremy
6 - 12     Mahler: Symphony No. 6, "Tragic": I. Heftig, aber markig    

VARIOUS ARTISTS
6 - 12     Mahler: Symphony No. 6, "Tragic": I. Heftig, aber markig    

SIEPMANN Jeremy
6 - 13     Anderson: The Typewriter / Satie: Parade    

VARIOUS ARTISTS
6 - 13     Anderson: The Typewriter / Satie: Parade    

SIEPMANN Jeremy
6 - 14     Varese: Integrales / Gershwin: An American in Paris / Anderson: Sandpaper Ballet    

VARIOUS ARTISTS
6 - 14     Varese: Integrales / Gershwin: An American in Paris / Anderson: Sandpaper Ballet    

SIEPMANN Jeremy
6 - 15     Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude    

VARIOUS ARTISTS
6 - 15     Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude    

SIEPMANN Jeremy
6 - 16     Strauss: Don Quixote: Variation VIII    

VARIOUS ARTISTS
6 - 16     Strauss: Don Quixote: Variation VIII    

SIEPMANN Jeremy
6 - 17     Rodrigo: Concierto de Aranjuez: III. Allegro gentile    

VARIOUS ARTISTS
6 - 17     Rodrigo: Concierto de Aranjuez: III. Allegro gentile    

SIEPMANN Jeremy
6 - 18     Seeger / Hays: Washington Breakdown    

VARIOUS ARTISTS
6 - 18     Seeger / Hays: Washington Breakdown    

SIEPMANN Jeremy
6 - 19     Steiner: The Treasure of the Sierra Madre: Packing Up    

VARIOUS ARTISTS
6 - 19     Steiner: The Treasure of the Sierra Madre: Packing Up    

SIEPMANN Jeremy
6 - 20     Prokofiev: Romeo and Juliet: Act II: No. 14    

VARIOUS ARTISTS
6 - 20     Prokofiev: Romeo and Juliet: Act II: No. 14    

SIEPMANN Jeremy
6 - 21     Steiner: The Treasure of the Sierra Madre: EI Desayuno    

VARIOUS ARTISTS
6 - 21     Steiner: The Treasure of the Sierra Madre: EI Desayuno    

SIEPMANN Jeremy
6 - 22     The bongos and the congas and a whole wealth of other drums from Africa and Central America    

VARIOUS ARTISTS
6 - 22     The bongos and the congas and a whole wealth of other drums from Africa and Central America    

SIEPMANN Jeremy
6 - 23     Evening Raga: Bhapoli    

VARIOUS ARTISTS
6 - 23     Evening Raga: Bhapoli    

SIEPMANN Jeremy
6 - 24     Ferre: Paris cancaille    

VARIOUS ARTISTS
6 - 24     Ferre: Paris cancaille    

SIEPMANN Jeremy
6 - 25     Karas: The Third Man: Theme    

VARIOUS ARTISTS
6 - 25     Karas: The Third Man: Theme    

SIEPMANN Jeremy
6 - 26     Traditional: Folk Dances    

VARIOUS ARTISTS
6 - 26     Traditional: Folk Dances    

SIEPMANN Jeremy
6 - 27     Albeniz: Rondena    

VARIOUS ARTISTS
6 - 27     Albeniz: Rondena    

SIEPMANN Jeremy
6 - 28     Traditional: Svetit Mesiats    

VARIOUS ARTISTS
6 - 28     Traditional: Svetit Mesiats    

SIEPMANN Jeremy
6 - 29     Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude    

VARIOUS ARTISTS
6 - 29     Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude    

SIEPMANN Jeremy
6 - 30     Debussy: Nocturnes: III. Sirenes    

VARIOUS ARTISTS
6 - 30     Debussy: Nocturnes: III. Sirenes    

SIEPMANN Jeremy
6 - 31     Instruments and the imitation of nature. The clarinet as cuckoo    

VARIOUS ARTISTS
6 - 31     Instruments and the imitation of nature. The clarinet as cuckoo    

SIEPMANN Jeremy
6 - 32     Saint-Saens: The Carnival of the Animals: The Cuckoo    

VARIOUS ARTISTS
6 - 32     Saint-Saens: The Carnival of the Animals: The Cuckoo    

SIEPMANN Jeremy
6 - 33     The flute as an all-purpose aviary    

VARIOUS ARTISTS
6 - 33     The flute as an all-purpose aviary    

SIEPMANN Jeremy
6 - 34     Saint-Saens: The Carnival of the Animals: The Aviary    

VARIOUS ARTISTS
6 - 34     Saint-Saens: The Carnival of the Animals: The Aviary    

SIEPMANN Jeremy
6 - 35     The oboe as duck    

VARIOUS ARTISTS
6 - 35     The oboe as duck    

SIEPMANN Jeremy
6 - 36     Prokofiev: Peter and the Wolf: The Duck    

VARIOUS ARTISTS
6 - 36     Prokofiev: Peter and the Wolf: The Duck    

SIEPMANN Jeremy
6 - 37     The recording of reality. Does it work as well?    

VARIOUS ARTISTS
6 - 37     The recording of reality. Does it work as well?    

SIEPMANN Jeremy
6 - 38     Respighi: The Pines of Rome: III. The Pines of the Janiculum    

VARIOUS ARTISTS
6 - 38     Respighi: The Pines of Rome: III. The Pines of the Janiculum    

SIEPMANN Jeremy
6 - 39     The recording of reality electronically reborn in new guises    

VARIOUS ARTISTS
6 - 39     The recording of reality electronically reborn in new guises    

SIEPMANN Jeremy
6 - 40     Rautavaara: Cantus Arcticus, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy)    

VARIOUS ARTISTS
6 - 40     Rautavaara: Cantus Arcticus, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy)    

SIEPMANN Jeremy
6 - 41     Beethoven turns avian: cuckoo, nightingale, and quail    

VARIOUS ARTISTS
6 - 41     Beethoven turns avian: cuckoo, nightingale, and quail    

SIEPMANN Jeremy
6 - 42     Beethoven: Symphony No. 6, "Pastoral": II. Szene am Bach    

VARIOUS ARTISTS
6 - 42     Beethoven: Symphony No. 6, "Pastoral": II. Szene am Bach    

SIEPMANN Jeremy
6 - 43     Some importable casting: the violin as braying donkey    

VARIOUS ARTISTS
6 - 43     Some importable casting: the violin as braying donkey    

SIEPMANN Jeremy
6 - 44     Saint-Saens: The Carnival of the Animals: Persons with Long Ears    

VARIOUS ARTISTS
6 - 44     Saint-Saens: The Carnival of the Animals: Persons with Long Ears    

SIEPMANN Jeremy
6 - 45     A truly orchestral hee-haw to be reckoned with    

VARIOUS ARTISTS
6 - 45     A truly orchestral hee-haw to be reckoned with    

SIEPMANN Jeremy
6 - 46     Mendelssohn: A Midsummer Night s Dream: Overture    

VARIOUS ARTISTS
6 - 46     Mendelssohn: A Midsummer Night s Dream: Overture    

SIEPMANN Jeremy
6 - 47     A thunderstorm in a million    

VARIOUS ARTISTS
6 - 47     A thunderstorm in a million    

SIEPMANN Jeremy
6 - 48     Beethoven: Symphony No. 6, "Pastoral": IV. Gewitter, Sturm    

VARIOUS ARTISTS
6 - 48     Beethoven: Symphony No. 6, "Pastoral": IV. Gewitter, Sturm    

SIEPMANN Jeremy
6 - 49     The instrumental depiction of a silent world    

VARIOUS ARTISTS
6 - 49     The instrumental depiction of a silent world    

SIEPMANN Jeremy
6 - 50     Saint-Saens: The Carnival of the Animals: The Aquarium    

VARIOUS ARTISTS
6 - 50     Saint-Saens: The Carnival of the Animals: The Aquarium    

SIEPMANN Jeremy
6 - 51     Saint-Saens menagerie takes a curtain call    

VARIOUS ARTISTS
6 - 51     Saint-Saens menagerie takes a curtain call    

SIEPMANN Jeremy
6 - 52     Saint-Saens: The Carnival of the Animals: Finale    

VARIOUS ARTISTS
6 - 52     Saint-Saens: The Carnival of the Animals: Finale    

SIEPMANN Jeremy
7 - 1     The grouping of instrumental families. An additive approach. First, two violins.    

VARIOUS ARTISTS
7 - 1     The grouping of instrumental families. An additive approach. First, two violins.    

SIEPMANN Jeremy
7 - 2     Bartok: 44 Duos: IV. Midsummer Night Song    

VARIOUS ARTISTS
7 - 2     Bartok: 44 Duos: IV. Midsummer Night Song    

SIEPMANN Jeremy
7 - 3     A greater contrast, of both pitch and character, violin and viola    

VARIOUS ARTISTS
7 - 3     A greater contrast, of both pitch and character, violin and viola    

SIEPMANN Jeremy
7 - 4     Mozart: Duo for Violin and Viola in B flat major, K. 424: finale: variations 1 and 2    

VARIOUS ARTISTS
7 - 4     Mozart: Duo for Violin and Viola in B flat major, K. 424: finale: variations 1 and 2    

SIEPMANN Jeremy
7 - 5     Arrival at the standard string trio: violin, viola and cello    

VARIOUS ARTISTS
7 - 5     Arrival at the standard string trio: violin, viola and cello    

SIEPMANN Jeremy
7 - 6     Schubert: String Trio in B flat major: III. Menuetto    

VARIOUS ARTISTS
7 - 6     Schubert: String Trio in B flat major: III. Menuetto    

SIEPMANN Jeremy
7 - 7     The string quartet: two violins, viola and cello    

VARIOUS ARTISTS
7 - 7     The string quartet: two violins, viola and cello    

SIEPMANN Jeremy
7 - 8     Beethoven: String Quartet in F major, Op. 18, No. 1: III. Scherzo    

VARIOUS ARTISTS
7 - 8     Beethoven: String Quartet in F major, Op. 18, No. 1: III. Scherzo    

SIEPMANN Jeremy
7 - 9     The string quintet - when the extra instrument is a second viola    

VARIOUS ARTISTS
7 - 9     The string quintet - when the extra instrument is a second viola    

SIEPMANN Jeremy
7 - 10     Mozart: String Quintet No. 5 in D major, K. 593: II. Adagio    

VARIOUS ARTISTS
7 - 10     Mozart: String Quintet No. 5 in D major, K. 593: II. Adagio    

SIEPMANN Jeremy
7 - 11     The string quintet - when the extra instrument is a second cello    

VARIOUS ARTISTS
7 - 11     The string quintet - when the extra instrument is a second cello    

SIEPMANN Jeremy
7 - 12     Schubert: String Quintet in C major: III. Scherzo    

VARIOUS ARTISTS
7 - 12     Schubert: String Quintet in C major: III. Scherzo    

SIEPMANN Jeremy
7 - 13     The string sextet: two violins, two violas, and two cellos    

VARIOUS ARTISTS
7 - 13     The string sextet: two violins, two violas, and two cellos    

SIEPMANN Jeremy
7 - 14     Brahms: String Sextet No. 1 in B flat major: II. Andante ma moderato    

VARIOUS ARTISTS
7 - 14     Brahms: String Sextet No. 1 in B flat major: II. Andante ma moderato    

SIEPMANN Jeremy
7 - 15     The string octet: the standard string quartet times two    

VARIOUS ARTISTS
7 - 15     The string octet: the standard string quartet times two    

SIEPMANN Jeremy
7 - 16     Mendelssohn: Octet in E flat major, Op. 20: movement 1    

VARIOUS ARTISTS
7 - 16     Mendelssohn: Octet in E flat major, Op. 20: movement 1    

SIEPMANN Jeremy
7 - 17     Double the string octet: a fully fledged string orchestra    

VARIOUS ARTISTS
7 - 17     Double the string octet: a fully fledged string orchestra    

SIEPMANN Jeremy
7 - 18     Mendelssohn: String Symphony No. 2: III. Allegro vivace    

VARIOUS ARTISTS
7 - 18     Mendelssohn: String Symphony No. 2: III. Allegro vivace    

SIEPMANN Jeremy
7 - 19     The massed strings of a symphony orchestra    

VARIOUS ARTISTS
7 - 19     The massed strings of a symphony orchestra    

SIEPMANN Jeremy
7 - 20     Vaughan Williams: Fantasia on a Theme of Thomas Tallis    

VARIOUS ARTISTS
7 - 20     Vaughan Williams: Fantasia on a Theme of Thomas Tallis    

SIEPMANN Jeremy
7 - 21     Contrasts of pitch and instrumental colour in the woodwind section    

VARIOUS ARTISTS
7 - 21     Contrasts of pitch and instrumental colour in the woodwind section    

SIEPMANN Jeremy
7 - 22     Reicha: Wind Quintet in A minor, Op. 100, No. 5: Theme    

VARIOUS ARTISTS
7 - 22     Reicha: Wind Quintet in A minor, Op. 100, No. 5: Theme    

SIEPMANN Jeremy
7 - 23     In the First Variation it s the horn that gets the lion s share    

VARIOUS ARTISTS
7 - 23     In the First Variation it s the horn that gets the lion s share    

SIEPMANN Jeremy
7 - 24     Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 1    

VARIOUS ARTISTS
7 - 24     Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 1    

SIEPMANN Jeremy
7 - 25     In Variation Two the torch is handed to the bassoon    

VARIOUS ARTISTS
7 - 25     In Variation Two the torch is handed to the bassoon    

SIEPMANN Jeremy
7 - 26     Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 2    

VARIOUS ARTISTS
7 - 26     Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 2    

SIEPMANN Jeremy
7 - 27     In Variation Three the oboe leads    

VARIOUS ARTISTS
7 - 27     In Variation Three the oboe leads    

SIEPMANN Jeremy
7 - 28     Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 3    

VARIOUS ARTISTS
7 - 28     Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 3    

SIEPMANN Jeremy
7 - 29     Variation Four: conversation before returning to a solo-dominated texture    

VARIOUS ARTISTS
7 - 29     Variation Four: conversation before returning to a solo-dominated texture    

SIEPMANN Jeremy
7 - 30     Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 4    

VARIOUS ARTISTS
7 - 30     Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 4    

SIEPMANN Jeremy
7 - 31     And Variation Five is dominated by the clarinet    

VARIOUS ARTISTS
7 - 31     And Variation Five is dominated by the clarinet    

SIEPMANN Jeremy
7 - 32     Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 5    

VARIOUS ARTISTS
7 - 32     Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 5    

SIEPMANN Jeremy
7 - 33     The next to be featured is the virtuoso flute.    

VARIOUS ARTISTS
7 - 33     The next to be featured is the virtuoso flute.