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BRAHMS Johannes
An Introduction to ... BRAHMS: Piano Concerto No. 2
1 - 1     Introduction; opening horn call and piano s answer (1mn 50s )    
1 - 2     Rising three-note scalewise pattern (25s )    
1 - 3     Quicker, descending six-note answer (18s )    
1 - 4     Second, answering phrase (32s )    
1 - 5     First Main Theme completed by orchestra (50s )    
1 - 6     Peace shattered as piano bursts back in like a tiger (1mn 24s )    
1 - 7     Variant of opening horn call in bass (19s )    
1 - 8     Orchestra returns; beginning of Exposition proper (2mn 25s )    
1 - 9     Big, singing theme in orchestra; piano forgotten (41s )    
1 - 10     Call to arms by strings; marshalling of orchestral forces (1mn 03s )    
1 - 11     Piano re-enters fry with massive expansion of opening figure (48s )    
1 - 12     Piano explores two main facets of opening theme (45s )    
1 - 13     Transition. sense of key weakened. Piano and orchestra come together (1mn 07s )    
1 - 14     Piano and orchestra argue over speed of thematic three-note rise (41s )    
1 - 15     Piano and orchestra in friendly dialogue before piano falls away (1mn 28s )    
1 - 16     Winged harmonic shadow of pure pianistic tone-colour (45s )    
1 - 17     New transitional theme from orchestra developed by piano (1mn 51s )    
1 - 18     After indecision and discussion, the mood suddenly turns playful (26s )    
1 - 19     Reminder of Second Main Theme in its original form (43s )    
1 - 20     Ttransfomation of Second Main Theme by piano (40s )    
1 - 21     Piano hijacks orchestra s call to arms (43s )    
1 - 22     Piano and orchestra, now allies, explore theme, but with piano leading (1mn 08s )    
1 - 23     Dramatic eruption of orchestra leads to the Development section (1mn 13s )    
1 - 24     Pianistic tiger replaced by gentle reflective, soft-spoken poet (30s )    
1 - 25     Transformed tiger theme amicably shared by piano and orchestra (44s )    
1 - 26     An apparently new theme - but Battlle Hymn of the Republic? (41s )    
1 - 27     Brief, downward-driving section prepares for the Recapitulation (54s )    
1 - 28     On the threshold of the Recapitulation (54s )    
1 - 29     Recapitulation: The Magical Return (1mn 06s )    
1 - 30     From Gate-crashing Tiger to Celestial Tenderness - and a surprise (1mn 17s )    
1 - 31     And unexpected and portentus change of mood, suggesting tragedy (1mn 01s )    
1 - 32     Summation (30s )    
1 - 33     First Movement (Complete) (17mn 16s )    
1 - 34     Second Movement: The upward-driving opening gambit, piano alone (13s )    
1 - 35     Downward-driving answer from lower strings (27s )    
1 - 36     Theme vs Melody (58s )    
1 - 37     Eerie, unharmonised, white sound of Second Theme (45s )    
1 - 38     Second Theme taken up and developed by piano (1mn 25s )    
1 - 39     Expectation and surprise; harmonic fluidity and intensifying drama (1mn 40s )    
1 - 40     Return (and transformation) of Theme Two (41s )    
1 - 41     Theme One returns in orchestra; Theme Three emerges in major mode (1mn )    
1 - 42     Sequence of fragmentary episodes begins with unexpected fanfare (58s )    
1 - 43     Variant of Theme Three in piano (36s )    
1 - 44     Rescored variant of fanfare theme; from grandeur to solemnity (21s )    
1 - 45     Rhapsodic variant of fanfare, this time for piano alone (24s )    
1 - 46     Recapitulation of opening, with piano and orchestra reversing roles (1mn 07s )    
1 - 47     Theme Two transformed by new instrumentation (36s )    
1 - 48     Cue and Second Movement (Complete) (9mn 23s )    
2 - 1     Introduction, cue and First Main Theme (1mn 53s )    
2 - 2     Theme One taken up by strings and solo oboe; piano s entry (1mn 20s )    
2 - 3     Complex variant of Theme One with very different speed and rhythm (42s )    
2 - 4     Orchestra and piano in mixed variants of Theme One, now intensified (1mn 10s )    
2 - 5     Theme Two, hushed and tuneless , with piano, clarinets and strings (1mn 28s )    
2 - 6     Oboe Theme returns, now delicately embroidered by the piano (46s )    
2 - 7     Cue and Third Movement (Complete) (11mn 50s )    
2 - 8     Finale: Introduction, cue and Main Theme (57s )    
2 - 9     Violins take up tune, with winds and piano accompanying (24s )    
2 - 10     Piano introduces Part 2 of the main theme (37s )    
2 - 11     Part 3 of the theme, led by piano, in fiercely self-confident mood (54s )    
2 - 12     First Episode, Part 1 (47s )    
2 - 13     First Episode, Part 2 (23s )    
2 - 14     Piano hands theme over to clarinets and bassoons (15s )    
2 - 15     First Episode, Part 3, in piano, first; then flutes and oboes (40s )    
2 - 16     Strings and flutes take theme, with bubbling commentary from piano (28s )    
2 - 17     Tipsy dancers (piano and winds) return, tiring; strings take over (38s )    
2 - 18     In the central Episode, the orchestra throws down a dramatic challenge (28s )    
2 - 19     ... to which the piano duly responds with a stormy outburst (10s )    
2 - 20     Piano kick-starts run-up to final section in a variant of the main theme (41s )    
2 - 21     Orchestra sets off on jaunty march, later joined by the piano (25s )    
2 - 22     Piano propels orchestra into final section (46s )    
2 - 23     Summation and cue to the movement as a whole (22s )    
2 - 24     Finale (Complete) (9mn 08s )    

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