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ntre Wagner, Tchaïkovski, Strauss et les influences celtiques, entre l’Orient (on songe au génial Omar Khayyám, à écouter d’urgence) et la Grèce antique, Sir Granville Bantock aura tété à d’innombrables sources d’inspiration pour écrire ses magnifiques œuvres symphoniques, tragiquement méconnues en France.
Détail des pistes :
BANTOCK Sir Granville
A Celtic Symphony
1 - 1 Lento sostenuto (3mn 30s )
1 - 2 Allegro con fuoco (7mn 10s )
1 - 3 Andante con tenerezza (4mn 54s )
1 - 4 Port-a-Bial. Allegro con spirito (1mn 28s )
1 - 5 Largamente maestoso (2mn 59s )
The witch of Atlas
1 - 6 A : A lady-witch there lived on Atlas mountain (2mn 07s )
1 - 7 B : 'Tis said, she was first changed into a vapour (2mn 17s )
1 - 8 C : And old Silenus, shaking a green stick (2mn 36s )
1 - 9 D : And every nymph of stream and spreading tree (1mn 31s )
1 - 10 E: For she was beautiful (1mn 01s )
1 - 11 F : The deep recesses of her odorous dwelling (31s )
1 - 12 G : And then she called out of the hollow turrets (1mn 52s )
1 - 13 H : To those she saw most beautiful (2mn 53s )
1 - 14 The sea reivers (3mn 52s )
A Hebridean Symphony
1 - 15 Partie 1 (7mn 26s )
1 - 16 Partie 2 (3mn )
1 - 17 Partie 3 (5mn 40s )
1 - 18 Partie 4 (3mn 22s )
1 - 19 Partie 5 (3mn 27s )
1 - 20 Partie 6 (3mn 50s )
1 - 21 Partie 7 (2mn 51s )
1 - 22 Partie 8 (2mn 08s )
1 - 23 Partie 9 (3mn 19s )
Pagan Symphony
2 - 1 I. Tranquillo molto lento sostenuto (6mn 11s )
2 - 2 II. Allegro con spirito (9mn 36s )
2 - 3 III. Scherzo. Dance of Satyrs (2mn 58s )
2 - 4 IV. Fanfare. Allegretto con moto (6mn 07s )
2 - 5 V. Molto lento, sostenuto e rubato (2mn 49s )
2 - 6 VI. Allegro molto e con fuoco (8mn 01s )
Fifine at the fair
2 - 7 I. Prologue : Amphibian. Tranquillo, molto sostenuto (6mn 37s )
2 - 8 II. The Fair. Vivace (4mn 44s )
2 - 9 III. Fifine dances. Allegretto grazioso e capriccioso (7mn 57s )
2 - 10 IV. Elvire's theme (9mn 04s )
2 - 11 V. Epilogue. Lento con malinconia (7mn 10s )
2 Heroic Ballads
2 - 12 N° 1. Cuchullan's Lament (3mn 52s )
2 - 13 N° 2. Kishmul's Galley (4mn 26s )
The Cyprian Goddess (Symphonie n° 3)
3 - 1 I. Maestoso e sforzato - Lentamente - Poco largamente - Con più moto (5mn 52s )
3 - 2 II. Liberamente - Affrettando - Tranquillo molto sostenuto (2mn 37s )
3 - 3 III. Animando - Con fuoco - Con molto agitato (3mn 27s )
3 - 4 IV. Lentamente – Lento sostenuto - Poco lentando - Allegretto grazioso - Con fuoco - Con anima (9mn 20s )
3 - 5 V. Più moto, affrettando - Tranquillo, e molto sostenuto (3mn 15s )
Helena Variations
3 - 6 Thème : Lento molto (1mn 51s )
3 - 7 Variation n° 1 : Allegro molto con fuoco (44s )
3 - 8 Variation n° 2 : Poco tranquillo (52s )
3 - 9 Variation n° 3 : Allegretto scherzando (1mn 56s )
3 - 10 Variation n° 4 : Molto moderato quasi religioso (42s )
3 - 11 Variation n° 5 : Capriccioso (1mn 17s )
3 - 12 Variation n° 6 : Poco agitato (1mn 01s )
3 - 13 Variation n° 7 : Lento molto e sostenuto (1mn 44s )
3 - 14 Variation n° 8 : Con moto affettuoso (1mn 27s )
3 - 15 Variation n° 9 : Allegro impetuoso (1mn 01s )
3 - 16 Variation n° 10 : Non più Allegro (1mn 32s )
3 - 17 Variation n° 11 : Andante doloroso (2mn 01s )
3 - 18 Variation n° 12 : Finale. Allegro appassionato (3mn 19s )
3 - 19 Dante and Beatrice (25mn 15s )
Sappho
4 - 1 Prélude (10mn 47s )
4 - 2 I. Hymn to Aphrodite (7mn 19s )
4 - 3 II. I loved thee once, Atthis, long ago (6mn 37s )
4 - 4 III. Evening Song (2mn 24s )
4 - 5 IV. Stand face to face, friend (8mn 10s )
4 - 6 V. The moon has set (5mn 56s )
4 - 7 VI. Peer of gods he seems (4mn 17s )
4 - 8 VII. In a dream, I spake (4mn 26s )
4 - 9 VIII. Bridal Song (4mn 45s )
4 - 10 IX. Muse of the golden throne (5mn 39s )
4 - 11 Sapphic Poem (14mn 59s )
The Song of Songs
5 - 1 Prélude (11mn 43s )
Omar Khayyám
5 - 2 Prélude (6mn 36s )
5 - 3 Camel Caravan (8mn 01s )
5 - 4 Caristiona (9mn 35s )
5 - 5 Processional (14mn 46s )
Thalaba the destroyer
5 - 6 I. Introduction. The powers of evil. Mesto e lugubre (1mn 09s )
5 - 7 II. Zeinab's theme. Molto più lento (1mn 55s )
5 - 8 III. Thalaba's theme. Allegro con fuoco (1mn 57s )
5 - 9 IV. Oneiza's theme. Moderato sostenuto (3mn 52s )
5 - 10 V. Thalaba's fatal languor. Poco lento (3mn 10s )
5 - 11 VI. Wedding and brief happiness of love. Meno mosso (2mn 31s )
5 - 12 VII. Death of Oneiza. Appassionato con dolore (42s )
5 - 13 VIII. Thalaba wanders desolately amid the tombs. Molto lento (3mn 37s )
5 - 14 IX. Thalaba sets out again on his mighty quest. Poco allegro (2mn 53s )
5 - 15 X. Thalaba's death, and reprise of Oneiza's theme. Poco più lento (1mn 47s )
5 - 16 XI. Evil lost for ever (1mn 22s )
5 - 17 XII. The last ecstasy of faith and love. Pesante e risoluto (1mn 04s )
Overture to a Greek Tragedy
6 - 1 Partie 1 (4mn )
6 - 2 Partie 2 (2mn 20s )
6 - 3 Partie 3 (5mn 31s )
6 - 4 Partie 4 (6mn 07s )
6 - 5 The wilderness and the solitary place (6mn 24s )
6 - 6 Pierrot of the Minute (12mn 18s )
The Song of Songs
6 - 7 The second day : The voice of my beloved! (2mn 25s )
6 - 8 The second day : My beloved spake (1mn 56s )
6 - 9 The second day : Arise, my love, my fair one (2mn 54s )
6 - 10 The second day : Take us the foxes, the little foxes (3mn 15s )
6 - 11 The second day : Orchestral interlude (2mn 30s )
6 - 12 The second day : By night in my dream (3mn 11s )
6 - 13 The second day : But I found him whom my soul loveth (3mn 25s )
6 - 14 The third day : The King's gifts (1mn 05s )
6 - 15 The third day : The Shulamite (2mn 17s )
6 - 16 The third day : The Shulamite is left alone (1mn )
6 - 17 The third day : The Shulamite reflects upon her absent shepherd-lover (1mn 09s )
6 - 18 The third day : And sees him in a vision on the moutainside (1mn 34s )
6 - 19 The fifth day : Who is this that cometh up from the wilderness? (2mn )
6 - 20 The fifth day : Set me as a seal upon thine heart (1mn 43s )
6 - 21 The fifth day : Many waters cannot quench love (1mn 03s )
6 - 22 The fifth day : For love is strong as death (2mn 32s )
6 - 23 The fifth day : We have a little sister (3mn 56s )
6 - 24 The fifth day : Make haste, my beloved (3mn 08s )
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